View full screen - View 1 of Lot 128. A mottled celadon jade cong Neolithic period | 新石器時代 青玉琮.
128

A mottled celadon jade cong Neolithic period | 新石器時代 青玉琮

Estimate:

60,000

to
- 80,000 HKD

Property from the Tuyet Nguyet and Stephen Markbreiter Collection 雪月藏亞洲藝術珍品

A mottled celadon jade cong Neolithic period | 新石器時代 青玉琮

A mottled celadon jade cong Neolithic period | 新石器時代 青玉琮

Estimate:

60,000

to
- 80,000 HKD

Lot sold:

239,400

HKD

Property from the Tuyet Nguyet and Stephen Markbreiter Collection

A mottled celadon jade cong

Neolithic period

雪月藏亞洲藝術珍品

新石器時代 青玉琮


6.6 cm

Minor bruises and chips to the extremities consistent with its age.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Collection of Dr Ip Yee.

Sotheby's Hong Kong, 19th November 1984, lot 32.


葉義醫生收藏

香港蘇富比1984年11月19日,編號32

Compare the cong in the Indianapolis Museum of Art illustrated in the Beauty and Tranquility: TheEli Lilly Collection of Chinese Art, Indianapolis, 1983, pl. 1, together with one recovered from a tomb in Guangdong dated by carbon-14 tests to the mid-third millennium BC, fig. B; also a shallower example in the British Museum illustrated by Jessica Rawson, Ancient China: Art and Archaeology, London, 1980, pl. 24, who discusses this form, which originated in Neolithic times and 'seems to have been important within a restricted, fairly well-defined area, being associated particularly with southeast China'. One from the Winthrop Collection in the Harvard Art Museums (no. 1943.50.506 [https://hvrd.art/o/204868]), is illustrated by Max Loehr, Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum, Harvard University, Fogg Art Museum, Cambridge, MA, 1975, cat. no. 235; and one with two tiers of masks by Soame Jenyns, Chinese Archaic Jades in the British Museum, London, 1951, pl. IX bottom from the Eumorfopoulos Collection.


印第安納波利斯藝術博物館藏一類例,圖載於《Beauty and Tranquility: The Eli Lilly Collection of Chinese Art》,印第安納波利斯,1983年,圖版1。相類玉琮亦於廣東遺址出土,可見同頁圖B一例,經碳十四測驗,斷代公元前3000年中葉。倫敦大英博物館收藏一較淺例,載於羅森,《Ancient China: Art and Archaeology》,倫敦,1980年,圖版24。羅森教授指出,玉琮起源於新石器時代,應為中國東南部指定地區、權貴階級特有的重要祭祀禮器。


另比一例,出自美國收藏家温索浦收藏,現藏於哈佛大學藝術館,藏品編號1943.50.506,圖見於 Max Loehr,《Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum》,哈佛大學,劍橋,麻省,1975年,圖版235。再比一雙層玉琮例,出自尤莫弗普勒斯收藏,現藏於大英博物館,圖載於Soame Jenyns,《Chinese Archaic Jades in the British Museum》,倫敦,1951年,圖版IX下方。