b. 1955 Boston, MA
Executed in 1997.
Signed recto, bottom right
38 x 26 in. (96.5 x 66 cm)
Framed: 46 x 33 ½ x 1 ¾ in. (116.8 x 85.1 x 4.4 cm)
Please note that while this auction is hosted on Sothebys.com, it is being administered by the Norton Museum of Art (the “Norton”), and all post-sale matters (inclusive of invoicing and property pickup/shipment) will be handled by the Norton. As such, Sotheby’s will share the contact details for the winning bidders with the Norton so that they may be in touch directly post-sale.
This piece is in excellent condition.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
Courtesy of Heidi and Scott Schuster
The subjects of Aaron Fink’s paintings are unremarkable; recurring motifs include melting scoops of ice cream, ceramic mugs, kernels of popcorn, slices of apple pie, fedoras, and sandwiches. In fact, Fink’s simple subjects belie his complex painting process: each work is comprised of multiple layers of paint, which Fink manipulates by squeegeeing, raking, or rinsing the surface until they begin to meld. When he chooses an image to paint, he creates multiple versions of it, with variations in size and color palette: “After I’ve worked with an object for a while, it becomes more of a vehicle for exploring the painting medium itself."
Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others.