Dancing in the Dark
b. 1961 Orlando, FL
Dancing in the Dark
Executed in 2020.
Signed verso, bottom right
Oil on canvas
72 x 60 in (182.9 x 152.4 cm)
Framed: 74 x 62 in (188 x 157.5 cm)
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This piece is in excellent condition. Black smudge on bottom left corner of frame.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
Courtesy of the artist and Cavalier Galleries
The intention of William Nelson's work is to generate conversations about values and identity by assembling unlikely pairs, Hollywood film icons and nostalgic comic book environments. Each entity reveals a partial narrative. The nature of a comic and the personas of the movie stars, presented in the ethos of the Hollywood studio system, act as blank canvases for us to project our personal experience, principles and standards of behavior. In this work, two figures are depicted in contrasting styles. The compositions are pairings of Pop Culture icons that would not normally be considered in the same picture plane.
Nelson writes, "Often the paintings are funny but I am not making fun of anything. These are my favorite images, many dating back to my formative, art-starved years in central Florida. They are images from the Sunday Funnies in the Orlando Sentinel, where the words got in my way as an inordinately visual boy, and Saturday matinees at the Colony Theater, where nothing got in the way of the big screen. Many of these images are from a place where I began to gather my internal visual database, the sweaty south, two generations ago, where the closest thing to a museum was Disney World, who assumed the mantle of local cultural epicenter from Gatorland, who ran help wanted ads in the Orlando Sentinel for Alligator Wrestler, No Experience Necessary. I still love Gatorland."