8,000 to - 12,000 USD
b. 1958 Las Vegas, NV
Executed in 2012.
Bronze and steel; Ed. 8/9
26 1/2 x 6 x 6 in (67.3 x 15.2 x 15.2 cm)
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This piece is in excellent condition. Tiny white spot (possibly paint) on top of proper left shoulder.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
Courtesy of the artist and Cavalier Galleries
Jim Rennert’s figurative sculptures use three-dimensional space to make accessible allegorical assertions about complex truths derived from daily life, especially those encountered in business. As his epigrammatic titles suggest, the sculptures resonate concise, often subtle, visual metaphors of challenge, triumph, and lessons commonly encountered along the sometimes difficult path of one’s career.
Using wit and sophisticated whimsy as well as contemplative imagery, Rennert's sculptures are fun and full of humor as they simultaneously portray profound vignettes about life and employment.
Rennert’s unique form of sculpture has been the subject of articles in publications such as Sculptural Review, American Art Collector, and The Inquirer and Mirror. His work is in numerous private and public collections, including the Governor’s Mansion of Utah, The Colorado Council for the Arts, the Church Museum of History and Art, Salt Lake City, UT and the Granite Education Foundation.