PIETER DE BLOOT | Beggars gathering outside a convent
PIETER DE BLOOT | Beggars gathering outside a convent
PIETER DE BLOOT | Beggars gathering outside a convent
PIETER DE BLOOT | Beggars gathering outside a convent
PIETER DE BLOOT | Beggars gathering outside a convent
PIETER DE BLOOT | Beggars gathering outside a convent
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PIETER DE BLOOT | Beggars gathering outside a convent

Estimate: 3,000 - 4,000 GBP

PIETER DE BLOOT | Beggars gathering outside a convent

Estimate: 3,000 - 4,000 GBP

Lot Sold:8,750GBP
(17 bids, reserve met)

Lot Details

Description

PIETER DE BLOOT

Rotterdam 1601 - 1658

BEGGARS GATHERING OUTSIDE A CONVENT


signed and dated lower left: P De Bloot / 1641

oil on oak panel

unframed: 39.4 x 61 cm.; 15½ x 24 in.

framed: 55.1 x 77.1 cm.; 22 x 30⅜ in.


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Condition Report

The single oak panel is uncradled, flat, and stable. The paint surface is fairly clean, and the varnish is clear and even. There is surface accretion visible in the shoulder of the dog lower centre. Inspection under ultraviolet light reveals an extensive campaign of fine lines of retouching: along the wood grain throughout the sky, small strengthenings in the foliage of the tree to the right and in the cross on the left, some small scattered retouchings in the lower right corner, and to a small damage in the bank just left of centre, approx. 1 cm. long. None of these distract from the legibility of the image though; the painting is ready to hang in its current state, and is in overall good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Anonymous sale, London, Christie's, 25 October 1946, lot 117 (as Droochsloot);

With Duits, London;

Anonymous sale, The Hague, Venduehuis der Notarissen, 20-22 April 1993, lot 35 (as de Bloot, signed and dated 164?);

Anonymous sale, London, Sotheby's, 15 April 1999, lot 3 (as Droochsloot, and signed and dated Dr...sloot / 1641);

With Wieg, Amsterdam, by 2003 (as de Bloot).

Catalogue Note

Pieter de Bloot was born in Rotterdam in 1601. His work mostly consists of landscape and genre paintings and is reminiscent of the style of Adriaen Brouwer, David Teniers and Joost Cornelisz. Droochsloot, to whom the present work was previously attributed. 

The Rafael Valls Sale
Online bidding closed08 Apr 2020 | 02:51 PM GMT