GERRIT ADRIAENSZ. BERCKHEYDE | Cavaliers on horseback resting outside an inn with a courtyard beyond
GERRIT ADRIAENSZ. BERCKHEYDE | Cavaliers on horseback resting outside an inn with a courtyard beyond
GERRIT ADRIAENSZ. BERCKHEYDE | Cavaliers on horseback resting outside an inn with a courtyard beyond
GERRIT ADRIAENSZ. BERCKHEYDE | Cavaliers on horseback resting outside an inn with a courtyard beyond
GERRIT ADRIAENSZ. BERCKHEYDE | Cavaliers on horseback resting outside an inn with a courtyard beyond
GERRIT ADRIAENSZ. BERCKHEYDE | Cavaliers on horseback resting outside an inn with a courtyard beyond
17

GERRIT ADRIAENSZ. BERCKHEYDE | Cavaliers on horseback resting outside an inn with a courtyard beyond

Estimate: 5,000 - 7,000 GBP

GERRIT ADRIAENSZ. BERCKHEYDE | Cavaliers on horseback resting outside an inn with a courtyard beyond

Estimate: 5,000 - 7,000 GBP

Lot Sold:10,625GBP
(9 bids, reserve met)

Lot Details

Description

GERRIT ADRIAENSZ. BERCKHEYDE

Haarlem 1638 - 1698

CAVALIERS ON HORSEBACK RESTING OUTSIDE AN INN WITH A COURTYARD BEYOND


signed lower right: g Berckheyde

oil on oak panel

unframed: 28 x 38.2 cm.; 11 x 15⅛ in.

framed: 43.2 x 53.2 cm.; 17 x 21 in.


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Condition Report

The panel is uncradled, flat, and stable. The paint surface is clean with a discoloured varnish. There are fine dashes of discoloured retouching visible throughout the sky. Inspection under ultraviolet light reveals an opaque varnish, underneath which the aforementioned retouchings are confirmed along with further fine lines of retouching scattered in both maids, the central rider, and both horses, with a more notable spot in the abdomen on the grey horse approx. 1 x 1 cm. Only small, sparsely scattered retouchings are apparent in the rest of the composition. These do not impede the legibility of the image, which appears in good overall condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Anonymous sale, London, Sotheby's, 13 December 2001, lot 147.

Catalogue Note

Gerrit Berckheyde was born in Haarlem as the sixth child of Cornelia and Adriaen Berckheyde. He likely trained under his elder brother Job, who was also an artist. The brothers travelled widely throughout the Rhineland in the 1650s by visiting Cologne and Heidelberg, where they were appointed as court painters to the Elector Palatine Karl-Ludwig. After a few years, they returned to Haarlem where they were to remain active for the rest of their lives; in 1660, Gerrit became a member of the Guild of Saint Luke. He was one of the earliest Dutch specialists in architectural townscapes, painting views of Haarlem, Amsterdam, and the Hague.

The Rafael Valls Sale
Online bidding closed08 Apr 2020 | 02:51 PM GMT