FRANCESCO FONTEBASSO | JACOB WRESTLING WITH THE ANGEL
PROPERTY FROM CHARLES BEDDINGTON LTD, LONDON
Venice 1707 - 1769
JACOB WRESTLING WITH THE ANGEL
oil on canvas
unframed: 56 x 73 cm.; 22 x 28¾ in.
framed: 67.5 x 84 cm.; 26⅝ x 33 in.
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The canvas is lined, the paint surface is clean and the varnish is clear and even. Much of the thickly painted brushwork is well-preserved but the distinctive weave of the canvas is also visible throughout much of the paint surface. Inspection under ultraviolet light reveals small, scattered retouchings around all four margins, largely to disguise the appearance of an old stretcher mark, and some small, scattered retouchings in Jacob's blue cloak. There is a concentrated area of restoration to the left of centre above the dog and through the angel's wing which measures at its widest 13 x 6 cm. In overall good condition and ready to hang in its current state.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
"The first thing that strikes me about this painting is the energy of the brushwork, from the angel’s wings and Jacob’s billowing drapery, to the blustery clouds – I think it really conveys a sense of drama and otherworldliness."
Fontebasso was one of the most prolific and successful followers of Sebastiano Ricci, with whom he had his earliest training, and of Giambattista Tiepolo. The influence that these artists had on Fontebasso is evident in the present painting's colouring and sense of movement. While Fontebasso is best known today for his easel paintings, during his lifetime he was a renowned fresco painter, and received many important commissions both from within Italy and abroad. Indeed, from 1761–62, he worked in Saint Petersburg for Catherine II, Empress of Russia. Before he left for Saint Petersburg, in 1755, he became a founder-member of the Accademia Veneziana, of which he was appointed president in 1768.