View full screen - View 1 of Lot 2. LOUIS ROLAND TRINQUESSE | PORTRAIT OF MARIANNE FRANMERY.
2

LOUIS ROLAND TRINQUESSE | PORTRAIT OF MARIANNE FRANMERY

Estimate:

25,000

to
- 35,000 USD

LOUIS ROLAND TRINQUESSE | PORTRAIT OF MARIANNE FRANMERY

LOUIS ROLAND TRINQUESSE | PORTRAIT OF MARIANNE FRANMERY

Estimate:

25,000

to
- 35,000 USD

Lot sold:

27,720

USD

LOUIS ROLAND TRINQUESSE

Paris circa 1746 - circa 1800

PORTRAIT OF MARIANNE FRANMERY


Red chalk;

dated in red chalk, lower right: 14. mars. / 1780

14 by 9 in.; 357 by 220 mm.

Laid down to an old decorative mount which has in turn been hinged to a modern mount. The drawing remains in absolutely delightful and pristine condition throughout, with the combination of media fresh and vibrant. Sold in a giltwood frame.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Jean Masson (L.1494a);

Sale, Paris, Galerie Georges Petit, 7-8 May 1923, lot 229;

Sale, Paris, Hotel Drouot, 28 March 1990, lot 14

J. Cailleux, "The Drawings of Louis Roland Trinquesse", in The Burlington Magazine, CXVI, February 1974, p. VIII, cat. no. 11, reproduced p. VI, fig. 12

The present drawing is a highly characteristic and finely preserved example of Trinquesse's work as a draughtsman, fitting securely into a series of drawings of seated ladies in voluminous dresses in which the artist skillfully combines the sensitive use of red chalk with the inherent white reserves of the paper. Jean Cailleux has been able to identify several of the female sitters depicted in these works, including this young lady, who he identifies as Marianne Franmery.1


1. Cailleux, op. cit.