STYLE: Furniture, Silver, Clocks, Ceramics and Vertu

STYLE: Furniture, Silver, Clocks, Ceramics and Vertu

STYLE: Furniture, Silver, Clocks, Ceramics and Vertu

Please note that the results listed on this page are inclusive of any Sotheby's Premiums and exclusive of any applicable taxes and costs, unless otherwise noted.

Please note that the results listed on this page are inclusive of any Sotheby's Premiums and exclusive of any applicable taxes and costs, unless otherwise noted.

STYLE: Furniture, Silver, Clocks, Ceramics and Vertu

28 August - 9 September 2020 • London

Your local time • 13:00 PM GMT

Overview
A GILT-BRASS COMBINED NOCTURNAL AND HORARY QUADRANT, UNSIGNED, ATTRIBUTED TO THE WORKSHOP OF GIOVAN BATTISTA GIUSTI, FLORENCE, CIRCA 1565

1 A GILT-BRASS COMBINED NOCTURNAL AND HORARY QUADRANT, UNSIGNED, ATTRIBUTED TO THE WORKSHOP OF GIOVAN BATTISTA GIUSTI, FLORENCE, CIRCA 1565

A PARCEL-GILT SILVER-MOUNTED COCONUT CUP IN THE FORM OF AN OWL, UNMARKED, GERMAN, PROBABLY 16TH CENTURY

2 A PARCEL-GILT SILVER-MOUNTED COCONUT CUP IN THE FORM OF AN OWL, UNMARKED, GERMAN, PROBABLY 16TH CENTURY

A PARCEL-GILT SILVER BOWL, PROBABLY PORTUGUESE, MID-16TH CENTURY, ALSO STRUCK INCUSE V AND WITH RAGUSA (DUBROVNIK) HALLMARK

3 A PARCEL-GILT SILVER BOWL, PROBABLY PORTUGUESE, MID-16TH CENTURY, ALSO STRUCK INCUSE V AND WITH RAGUSA (DUBROVNIK) HALLMARK

AN ITALIAN RENAISSANCE SILK VELVET, VOIDED, PILE ON PILE, BROCADED AND BOUCLÉ COMPOSITE PANEL, POSSIBLY FLORENCE,  MID-16TH CENTURY

4 AN ITALIAN RENAISSANCE SILK VELVET, VOIDED, PILE ON PILE, BROCADED AND BOUCLÉ COMPOSITE PANEL, POSSIBLY FLORENCE, MID-16TH CENTURY

A PAIR OF PINK BRECCIA PERNICE MARBLE FONTS, PROBABLY SPANISH, 18TH CENTURY

5 A PAIR OF PINK BRECCIA PERNICE MARBLE FONTS, PROBABLY SPANISH, 18TH CENTURY

A SPANISH PROVINCIAL CARVED AND PAINTED WALNUT SIDE TABLE, PART 17TH CENTURY

6 A SPANISH PROVINCIAL CARVED AND PAINTED WALNUT SIDE TABLE, PART 17TH CENTURY

A PAIR OF COMPOSITE CARVED GILTWOOD, GILT-METAL AND CUT-GLASS SIX-LIGHT GIRANDOLES, POSSIBLY ITALIAN

7 A PAIR OF COMPOSITE CARVED GILTWOOD, GILT-METAL AND CUT-GLASS SIX-LIGHT GIRANDOLES, POSSIBLY ITALIAN

A PAIR OF NEOCLASSICAL STYLE CARVED PARCEL-GILT AND POLYCHROME PAINTED WOOD MILITARY TROPHIES

8 A PAIR OF NEOCLASSICAL STYLE CARVED PARCEL-GILT AND POLYCHROME PAINTED WOOD MILITARY TROPHIES

FOLLOWER OF TIZIANO VECELLIO, CALLED TITIAN | THE MARTYRDOM OF SAINT SEBASTIAN

10 FOLLOWER OF TIZIANO VECELLIO, CALLED TITIAN | THE MARTYRDOM OF SAINT SEBASTIAN

FOLLOWER OF TIZIANO VECELLIO, CALLED TITIAN  |THE PENITENT MAGDALENE

11 FOLLOWER OF TIZIANO VECELLIO, CALLED TITIAN |THE PENITENT MAGDALENE

CIRCLE OF THE MASTER OF THE PRODIGAL SON | SUSANNA AND THE ELDERS AT THE WELL

12 CIRCLE OF THE MASTER OF THE PRODIGAL SON | SUSANNA AND THE ELDERS AT THE WELL

FOLLOWER OF LUCA GIORDANO, CALLED FA PRESTO | THE FINDING OF MOSES

13 FOLLOWER OF LUCA GIORDANO, CALLED FA PRESTO | THE FINDING OF MOSES

SPANISH SCHOOL, 17TH CENTURY |  PORTRAIT OF LUIS CAROZ, FULL-LENGTH, WEARING THE ORDER OF SAINT JAMES

14 SPANISH SCHOOL, 17TH CENTURY | PORTRAIT OF LUIS CAROZ, FULL-LENGTH, WEARING THE ORDER OF SAINT JAMES

FOLLOWER OF DIEGO VELÁZQUEZ |  THE IMMACULATE CONCEPTION

15 FOLLOWER OF DIEGO VELÁZQUEZ | THE IMMACULATE CONCEPTION

SEVILLIAN SCHOOL, 18TH CENTURY |  THE ARCHANGEL GABRIEL

16 SEVILLIAN SCHOOL, 18TH CENTURY | THE ARCHANGEL GABRIEL

FOLLOWER OF LUCA GIORDANO | THE NATIVITY OF MARY

17 FOLLOWER OF LUCA GIORDANO | THE NATIVITY OF MARY

A NORTH ITALIAN CARVED GILTWOOD FRAME, PROBABLY BOLOGNA, MID-17TH CENTURY

19 A NORTH ITALIAN CARVED GILTWOOD FRAME, PROBABLY BOLOGNA, MID-17TH CENTURY

A LOUIS XIV CARVED GILTWOOD FRAME, MID-17TH CENTURY

20 A LOUIS XIV CARVED GILTWOOD FRAME, MID-17TH CENTURY

A PAIR OF FAYENCE CHINOISERIE DOUBLE-GOURD-SHAPED VASES, CIRCA 1680-1700, DELFT OR PERHAPS FRANKFURT

22 A PAIR OF FAYENCE CHINOISERIE DOUBLE-GOURD-SHAPED VASES, CIRCA 1680-1700, DELFT OR PERHAPS FRANKFURT

A WILLIAM III SILVER MOLINET/CHOCOLATE MILL, ANTHONY NELME, LONDON, CIRCA 1700

23 A WILLIAM III SILVER MOLINET/CHOCOLATE MILL, ANTHONY NELME, LONDON, CIRCA 1700

A GEORGE I SILVER COFFEE POT, THOMAS PARR, LONDON, 1719

24 A GEORGE I SILVER COFFEE POT, THOMAS PARR, LONDON, 1719

A MEISSEN TEAPOT AND A COVER, CIRCA 1725, THE COVER PROBABLY SLIGHTLY LATER

25 A MEISSEN TEAPOT AND A COVER, CIRCA 1725, THE COVER PROBABLY SLIGHTLY LATER

A QUEEN ANNE WALNUT SHEPHERD'S CROOK ARMCHAIR, FIRST QUARTER 18TH CENTURY

26 A QUEEN ANNE WALNUT SHEPHERD'S CROOK ARMCHAIR, FIRST QUARTER 18TH CENTURY

A SET OF EIGHT GEORGE II WALNUT SIDE CHAIRS, CIRCA 1740

27 A SET OF EIGHT GEORGE II WALNUT SIDE CHAIRS, CIRCA 1740

A GEORGE II WALNUT CHEST-ON-CHEST, SECOND QUARTER 18TH CENTURY

28 A GEORGE II WALNUT CHEST-ON-CHEST, SECOND QUARTER 18TH CENTURY

A GEORGE II MAHOGANY CADDY-TOP DOUBLE-SIDED PEDESTAL DESK, MID-18TH CENTURY

29 A GEORGE II MAHOGANY CADDY-TOP DOUBLE-SIDED PEDESTAL DESK, MID-18TH CENTURY

A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS, SECOND QUARTER 18TH CENTURY

30 A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS, SECOND QUARTER 18TH CENTURY

A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS, SECOND QUARTER 18TH CENTURY

31 A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS, SECOND QUARTER 18TH CENTURY

A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS, SECOND QUARTER 18TH CENTURY

32 A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS, SECOND QUARTER 18TH CENTURY

A SMALL GEORGE III MAHOGANY SERPENTINE LINEN PRESS, CIRCA 1760

33 A SMALL GEORGE III MAHOGANY SERPENTINE LINEN PRESS, CIRCA 1760

A BLACK JAPANNED TAVERN TIMEPIECE, ENGLISH, CIRCA 1760

34 A BLACK JAPANNED TAVERN TIMEPIECE, ENGLISH, CIRCA 1760

A SUITE OF FIVE CHINESE EXPORT HAND-PAINTED WALLPAPER PANELS, SECOND QUARTER 20TH CENTURY

35 A SUITE OF FIVE CHINESE EXPORT HAND-PAINTED WALLPAPER PANELS, SECOND QUARTER 20TH CENTURY

A PAIR OF LARGE CANTON FAMILLE-ROSE VASES | QING DYNASTY, LATE 19TH CENTURY

36 A PAIR OF LARGE CANTON FAMILLE-ROSE VASES | QING DYNASTY, LATE 19TH CENTURY

A PAIR OF LARGE CANTON FAMILLE-ROSE VASES | QING DYANSTY, LATE 19TH CENTURY

37 A PAIR OF LARGE CANTON FAMILLE-ROSE VASES | QING DYANSTY, LATE 19TH CENTURY

A SWEDISH BRASS AND CUT GLASS SIX-LIGHT CHANDELIER, MID-18TH CENTURY

38 A SWEDISH BRASS AND CUT GLASS SIX-LIGHT CHANDELIER, MID-18TH CENTURY

A FRENCH GILT-BRONZE MOUNTED BOIS SATINÉ PARQUETRY OCCASIONAL TABLE, EARLY 20TH CENTURY

39 A FRENCH GILT-BRONZE MOUNTED BOIS SATINÉ PARQUETRY OCCASIONAL TABLE, EARLY 20TH CENTURY

A PAIR OF LOUIS XVI CARVED GILTWOOD MARQUISES, BY MARC GAUTRON, CIRCA 1785

40 A PAIR OF LOUIS XVI CARVED GILTWOOD MARQUISES, BY MARC GAUTRON, CIRCA 1785

A LOUIS XVI MAHOGANY FIVE-FOLD SCREEN, BY HENRI JACOB, CIRCA 1779

41 A LOUIS XVI MAHOGANY FIVE-FOLD SCREEN, BY HENRI JACOB, CIRCA 1779

A LOUIS XVI CARVED GREY PAINTED CANAPÉ, BY LOUIS-CHARLES CARPENTIER, CIRCA 1775

42 A LOUIS XVI CARVED GREY PAINTED CANAPÉ, BY LOUIS-CHARLES CARPENTIER, CIRCA 1775

A SET OF LOUIS XVI CARVED AND PAINTED TWO BERGÈRES AND SIX ARMCHAIRS, STAMPED P. BERNARD AND N.S. COURTOIS, LATE 18TH CENTURY

43 A SET OF LOUIS XVI CARVED AND PAINTED TWO BERGÈRES AND SIX ARMCHAIRS, STAMPED P. BERNARD AND N.S. COURTOIS, LATE 18TH CENTURY

‘BLIND MAN’S BUFF’, A LOUIS XV GENRE TAPESTRY, AUBUSSON, FROM THE SERIES LES AMUSEMENTS CHAMPETRES, AFTER JEAN-BAPTISTE OUDRY, CIRCA 1770

44 ‘BLIND MAN’S BUFF’, A LOUIS XV GENRE TAPESTRY, AUBUSSON, FROM THE SERIES LES AMUSEMENTS CHAMPETRES, AFTER JEAN-BAPTISTE OUDRY, CIRCA 1770

A FRENCH PASTORAL TAPESTRY, AUBUSSON, LATE 19TH/EARLY 20TH CENTURY

45 A FRENCH PASTORAL TAPESTRY, AUBUSSON, LATE 19TH/EARLY 20TH CENTURY

AN AUBUSSON CARPET, FRANCE, NAPOLEON III

46 AN AUBUSSON CARPET, FRANCE, NAPOLEON III

AN ENGLISH 'PONTREMOLI' NEEDLEWORK RUG, LONDON

47 AN ENGLISH 'PONTREMOLI' NEEDLEWORK RUG, LONDON

A GEORGE III KINGWOOD, TULIPWOOD, PURPLEWOOD AND MARQUETRY COMMODE, LAST QUARTER 18TH CENTURY, IN THE MANNER CHRISTOPHER FUHRLOHG

48 A GEORGE III KINGWOOD, TULIPWOOD, PURPLEWOOD AND MARQUETRY COMMODE, LAST QUARTER 18TH CENTURY, IN THE MANNER CHRISTOPHER FUHRLOHG

A GEORGE III PAINTED PINE CHIMNEYPIECE OF CONCAVE FORM, LAST QUARTER 18TH CENTURY, IN THE MANNER OF ROBERT ADAM

49 A GEORGE III PAINTED PINE CHIMNEYPIECE OF CONCAVE FORM, LAST QUARTER 18TH CENTURY, IN THE MANNER OF ROBERT ADAM

A GEORGE III CAST-IRON CONCAVE FIRE GRATE, LAST QUARTER 18TH CENTURY, ATTRIBUTED TO THE CARRON IRONWORKS IN FALKIRK

50 A GEORGE III CAST-IRON CONCAVE FIRE GRATE, LAST QUARTER 18TH CENTURY, ATTRIBUTED TO THE CARRON IRONWORKS IN FALKIRK

A GEORGE III MAHOGANY MUSICAL LONGCASE CLOCK, THOMAS HUNTER, LONDON, CIRCA 1785

51 A GEORGE III MAHOGANY MUSICAL LONGCASE CLOCK, THOMAS HUNTER, LONDON, CIRCA 1785