1. A GILT-BRASS COMBINED NOCTURNAL AND HORARY QUADRANT, UNSIGNED, ATTRIBUTED TO THE WORKSHOP OF GIOVAN BATTISTA GIUSTI, FLORENCE, CIRCA 1565

2. A PARCEL-GILT SILVER-MOUNTED COCONUT CUP IN THE FORM OF AN OWL, UNMARKED, GERMAN, PROBABLY 16TH CENTURY

3. A PARCEL-GILT SILVER BOWL, PROBABLY PORTUGUESE, MID-16TH CENTURY, ALSO STRUCK INCUSE V AND WITH RAGUSA (DUBROVNIK) HALLMARK

4. AN ITALIAN RENAISSANCE SILK VELVET, VOIDED, PILE ON PILE, BROCADED AND BOUCLÉ COMPOSITE PANEL, POSSIBLY FLORENCE, MID-16TH CENTURY

5. A PAIR OF PINK BRECCIA PERNICE MARBLE FONTS, PROBABLY SPANISH, 18TH CENTURY

6. A SPANISH PROVINCIAL CARVED AND PAINTED WALNUT SIDE TABLE, PART 17TH CENTURY

7. A PAIR OF COMPOSITE CARVED GILTWOOD, GILT-METAL AND CUT-GLASS SIX-LIGHT GIRANDOLES, POSSIBLY ITALIAN

8. A PAIR OF NEOCLASSICAL STYLE CARVED PARCEL-GILT AND POLYCHROME PAINTED WOOD MILITARY TROPHIES

10. FOLLOWER OF TIZIANO VECELLIO, CALLED TITIAN | THE MARTYRDOM OF SAINT SEBASTIAN

11. FOLLOWER OF TIZIANO VECELLIO, CALLED TITIAN |THE PENITENT MAGDALENE

12. CIRCLE OF THE MASTER OF THE PRODIGAL SON | SUSANNA AND THE ELDERS AT THE WELL

13. FOLLOWER OF LUCA GIORDANO, CALLED FA PRESTO | THE FINDING OF MOSES

14. SPANISH SCHOOL, 17TH CENTURY | PORTRAIT OF LUIS CAROZ, FULL-LENGTH, WEARING THE ORDER OF SAINT JAMES

15. FOLLOWER OF DIEGO VELÁZQUEZ | THE IMMACULATE CONCEPTION

16. SEVILLIAN SCHOOL, 18TH CENTURY | THE ARCHANGEL GABRIEL

17. FOLLOWER OF LUCA GIORDANO | THE NATIVITY OF MARY

19. A NORTH ITALIAN CARVED GILTWOOD FRAME, PROBABLY BOLOGNA, MID-17TH CENTURY

20. A LOUIS XIV CARVED GILTWOOD FRAME, MID-17TH CENTURY

22. A PAIR OF FAYENCE CHINOISERIE DOUBLE-GOURD-SHAPED VASES, CIRCA 1680-1700, DELFT OR PERHAPS FRANKFURT

23. A WILLIAM III SILVER MOLINET/CHOCOLATE MILL, ANTHONY NELME, LONDON, CIRCA 1700

24. A GEORGE I SILVER COFFEE POT, THOMAS PARR, LONDON, 1719

25. A MEISSEN TEAPOT AND A COVER, CIRCA 1725, THE COVER PROBABLY SLIGHTLY LATER

26. A QUEEN ANNE WALNUT SHEPHERD'S CROOK ARMCHAIR, FIRST QUARTER 18TH CENTURY

27. A SET OF EIGHT GEORGE II WALNUT SIDE CHAIRS, CIRCA 1740

28. A GEORGE II WALNUT CHEST-ON-CHEST, SECOND QUARTER 18TH CENTURY

29. A GEORGE II MAHOGANY CADDY-TOP DOUBLE-SIDED PEDESTAL DESK, MID-18TH CENTURY

30. A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS, SECOND QUARTER 18TH CENTURY

31. A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS, SECOND QUARTER 18TH CENTURY

32. A PAIR OF GEORGE II MAHOGANY SIDE CHAIRS, SECOND QUARTER 18TH CENTURY

33. A SMALL GEORGE III MAHOGANY SERPENTINE LINEN PRESS, CIRCA 1760

34. A BLACK JAPANNED TAVERN TIMEPIECE, ENGLISH, CIRCA 1760

35. A SUITE OF FIVE CHINESE EXPORT HAND-PAINTED WALLPAPER PANELS, SECOND QUARTER 20TH CENTURY

36. A PAIR OF LARGE CANTON FAMILLE-ROSE VASES | QING DYNASTY, LATE 19TH CENTURY

37. A PAIR OF LARGE CANTON FAMILLE-ROSE VASES | QING DYANSTY, LATE 19TH CENTURY

38. A SWEDISH BRASS AND CUT GLASS SIX-LIGHT CHANDELIER, MID-18TH CENTURY

39. A FRENCH GILT-BRONZE MOUNTED BOIS SATINÉ PARQUETRY OCCASIONAL TABLE, EARLY 20TH CENTURY

40. A PAIR OF LOUIS XVI CARVED GILTWOOD MARQUISES, BY MARC GAUTRON, CIRCA 1785

41. A LOUIS XVI MAHOGANY FIVE-FOLD SCREEN, BY HENRI JACOB, CIRCA 1779

42. A LOUIS XVI CARVED GREY PAINTED CANAPÉ, BY LOUIS-CHARLES CARPENTIER, CIRCA 1775

43. A SET OF LOUIS XVI CARVED AND PAINTED TWO BERGÈRES AND SIX ARMCHAIRS, STAMPED P. BERNARD AND N.S. COURTOIS, LATE 18TH CENTURY

44. ‘BLIND MAN’S BUFF’, A LOUIS XV GENRE TAPESTRY, AUBUSSON, FROM THE SERIES LES AMUSEMENTS CHAMPETRES, AFTER JEAN-BAPTISTE OUDRY, CIRCA 1770

45. A FRENCH PASTORAL TAPESTRY, AUBUSSON, LATE 19TH/EARLY 20TH CENTURY

46. AN AUBUSSON CARPET, FRANCE, NAPOLEON III

47. AN ENGLISH 'PONTREMOLI' NEEDLEWORK RUG, LONDON

48. A GEORGE III KINGWOOD, TULIPWOOD, PURPLEWOOD AND MARQUETRY COMMODE, LAST QUARTER 18TH CENTURY, IN THE MANNER CHRISTOPHER FUHRLOHG

49. A GEORGE III PAINTED PINE CHIMNEYPIECE OF CONCAVE FORM, LAST QUARTER 18TH CENTURY, IN THE MANNER OF ROBERT ADAM

50. A GEORGE III CAST-IRON CONCAVE FIRE GRATE, LAST QUARTER 18TH CENTURY, ATTRIBUTED TO THE CARRON IRONWORKS IN FALKIRK

51. A GEORGE III MAHOGANY MUSICAL LONGCASE CLOCK, THOMAS HUNTER, LONDON, CIRCA 1785