101 A FRENCH NEEDLEWORK PANEL, 17TH CENTURY

102 AN EARLY LOUIS XV GILT BRONZE-MOUNTED KINGWOOD BIBLIOTHÈQUE BY MIGEON, CIRCA 1730

103 A ROCOCO GILTWOOD LARGE BRACKET, SECOND QUARTER 18TH CENTURY

104 A LOUIS XV GILT BRONZE-MOUNTED AMARANTH BUREAU PLAT, CIRCA 1735

105 A LOUIS XV CARVED WALNUT FAUTEUIL DE BUREAU BY ETIENNE MEUNIER, MID-18TH CENTURY

106 A PAIR OF EMPIRE MAHOGANY AND MAHOGANY-VENEERED FAUTEUILS , CIRCA 1805

107 A LOUIS XV PROVINCIAL FRUITWOOD TABLE EN CHIFFONNIÈRE, MID-18TH CENTURY

108 A LOUIS XV GILT BRONZE CARTEL CLOCK, MID-18TH CENTURY

109 A LOUIS XV STYLE GILT BRONZE-MOUNTED TULIPWOOD COMMODE

110 A PAIR OF LOUIS XV SILVER CANDLESTICKS, PIERRE-NICOLAS SOMMÉ, PARIS, 1762

111 A PAIR OF ITALIAN EARLY ROCOCO STYLE SILVERED AND GILTWOOD MIRRORS

112 AN ITALIAN BAROQUE STYLE CARVED AND GILTWOOD AND TÔLE NINE-LIGHT CHANDELIER

113 A PAIR OF VENETIAN ROCOCO STYLE GILTWOOD MIRRORS AND CONSOLES, SECOND HALF 19TH CENTURY

114 A PAIR OF ITALIAN BAROQUE PEWTER, GILT BRONZE, AND GILT METAL CANDLESTICKS, NOW MOUNTED AS LAMPS, 17TH CENTURY WITH LATER ELEMENTS

115 A PAIR OF ITALIAN NEOCLASSICAL GILTWOOD ARMCHAIRS, ROME, LATE 18TH CENTURY

116 A PAIR OF ITALIAN NEOCLASSICAL GILTWOOD ARMCHAIRS, LAST QUARTER 18TH CENTURY

117 AN ITALIAN NEOCLASSICAL GILTWOOD SOFA, ROME, LATE 18TH CENTURY

118 A LOUIS XVI STYLE GILTWOOD OVERMANTEL MIRROR, 19TH CENTURY

119 A ROCOCO GILTWOOD CONSOLE WITH INSET BROCATELLE D'ESPAGNE TOP, PROBABLY NORTH ITALIAN, POSSIBLY GENOA, SECOND QUARTER 18TH CENTURY

120 A PAIR OF FRENCH REGENCE STYLE GILT BRONZE SIX-LIGHT CANDELABRA

121 A FRENCH DIRECTOIRE MAHOGANY DINING TABLE IN THE MANNER OF JACOB, LATE 18TH CENTURY

122 AN EMPIRE GILT BRONZE AND LEAD CRYSTAL CHANDELIER, EARLY 19TH CENTURY

123 A SET OF FOUR ITALIAN NEOCLASSICAL WHITE PAINTED AND PARCEL-GILT ARMCHAIRS, EARLY 19TH CENTURY

124 A SET OF SIX ITALIAN NEOCLASSICAL WHITE PAINTED AND PARCEL-GILT SIDE CHAIRS, EARLY 19TH CENTURY

125 A PAIR OF MONUMENTAL PATINATED AND GILT-BRONZE NINE-LIGHT CANDELABRA ON GILT-BRONZE MOUNTED FLUTED WHITE MARBLE COLUMNS, 19TH CENTURY

126 AN ITALIAN BAROQUE CARVED, WHITE PAINTED, AND GILTWOOD CONSOLE, CIRCA 1700

127 AN ITALIAN EMPIRE WHITE-PAINTED AND GILTWOOD MIRROR, 19TH CENTURY

128 A PAIR OF REGENCY EBONIZED AND GILT BRASS-MOUNTED ARMCHAIRS, EARLY 19TH CENTURY

129 A REGENCY EGYPTIAN REVIVAL EBONIZED, PARCEL-GILT, AND VERRE EGLOMISE OVERMANTEL MIRROR, EARLY 19TH CENTURY AND LATER

130 A PAIR OF RUSSIAN NEOCLASSICAL CUT GLASS AND GILT BRONZE NINE-LIGHT CHANDELIERS, EARLY 19TH CENTURY

131 A PAIR OF AUSTRO-HUNGARIAN NEOCLASSICAL WHITE PAINTED AND PARCEL GILT ARMCHAIRS, CIRCA 1800

132 A PAIR OF AUSTRO-HUNGARIAN NEOCLASSICAL WHITE PAINTED AND PARCEL-GILT ARMCHAIRS, CIRCA 1800

133 A PAIR OF LOUIS XVI STYLE GILT BRONZE AND BLACK MARBLE GUÉRIDONS

134 A NORTHERN EUROPEAN NEOCLASSICAL GILT-BRONZE TWELVE-LIGHT CHANDELIER, POSSIBLY RUSSIAN, CIRCA 1825

135 A PAIR OF EMPIRE PATINATED AND GILT BRONZE THREE-LIGHT CANDELABRA, EARLY 19TH CENTURY

136 A PAIR OF ENGLISH REGENCY CONVEX GILTWOOD MIRRORS, EARLY 19TH CENTURY

137 AN ENGLISH GEORGE III GILT BRONZE MANTLE CLOCK BY TIMOTHY WILLIAMSON, LONDON, MADE FOR THE CHINESE MARKET, CIRCA 1780

138 A NORTH GERMAN NEOCLASSICAL BRASS-MOUNTED MAHOGANY SECRETAIRE A CYLINDRE, CIRCA 1800

139 A PAIR OF NEOCLASSICAL GILT BRONZE AND GILT METAL-MOUNTED BARDIGLIO, PINK MARBLE AND BLACK SLATE CORINTHIAN COLUMNS TOPPED BY A PAIR OF GILT BRONZE MAENADS HOLDING THYRSI, 19TH CENTURY

140 A CONTINENTAL OVAL GILTWOOD MIRROR

141 A RUSSIAN NEOCLASSICAL ROSEWOOD AND PARCEL-GILT ARMCHAIR, CIRCA 1825

142 A RUSSIAN NEOCLASSICAL GILT BRONZE AND BLUE GLASS EIGHT-LIGHT CHANDELIER, 19TH CENTURY

143 A PAIR OF RUSSIAN NEOCLASSICAL STYLE MAHOGANY AND PARCEL-GILT ARMCHAIRS, LATE 19TH/EARLY 20TH CENTURY

144 A TUSCAN NEOCLASSICAL BURR MAPLE AND PARCEL GILT DAYBED ON PLINTH, PROBABLY LUCCA, CIRCA 1820

145 AN ITALIAN NEO-RENAISSANCE GILTWOOD FRAME, SECOND QUARTER 19TH CENTURY

146 CIRCLE OF PIERRE-ÉTIENNE MONNOT | SAINT PAUL

147 A LOUIS XIV BEAUVAIS ‘PORTS DE MER’ TAPESTRY, BY PHILIPPE BEHAGLE OR NOEL ANTOINE DE MEROU, BEAUVAIS, LATE 17TH/EARLY 18TH CENTURY, AFTER A DESIGN BY ADRIEN CAMPION AND JOSEPH VAN DEN KERCHOVE

148 A BRUSSELS TAPESTRY OF MARC ANTONY AND CLEOPATRA, AFTER DESIGNS BY CHARLES POERSON (1609–1667), SECOND HALF 17TH CENTURY