View full screen - View 1 of Lot 1. IVAN KONSTANTINOVICH AIVAZOVSKY | SAILING SHIP ON A STORMY DAY.
1

IVAN KONSTANTINOVICH AIVAZOVSKY | SAILING SHIP ON A STORMY DAY

Estimate:

30,000

to
- 50,000 GBP

1

2

IVAN KONSTANTINOVICH AIVAZOVSKY | SAILING SHIP ON A STORMY DAY

IVAN KONSTANTINOVICH AIVAZOVSKY | SAILING SHIP ON A STORMY DAY

Estimate:

30,000

to
- 50,000 GBP

Lot sold:

50,000

GBP

IVAN KONSTANTINOVICH AIVAZOVSKY

1817-1900

SAILING SHIP ON A STORMY DAY


signed twice in Cyrillic and Latin l.r.; further signed in Latin, inscribed Paris, dated 1890 and inscribed with an authentication by Alexander Benois dated 1953 on the reverse

oil on panel

Panel: 20.5 by 28cm, 8 by 11in.

Framed: 40 by 47.5cm, 15¾ by 18¾in.


Authenticity has been confirmed by Gianni Caffiero and Ivan Samarine on the basis of photographs.


Please note: Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.


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The panel is in good order. There is a small loss to the lower right corner of the panel and some tiny nicks to the edges elsewhere. There are minor abrasions as well as frame indentations in places along the edges. There are a few scuffs and scratches to the surface, such as in the mauve of the shoreline in the lower right. There is a light layer of surface dirt. Inspection under UV light reveals a few small spots of old restoration to the sky and an uneven varnish layer. Held in a period gilt wooden frame with decorative mouldings.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

The present lot was painted in Paris in 1890 while the artist was visiting the city with his second wife Anna Burnazian-Sarkisova. The two had travelled there from Feodosia in February for the opening of an exhibition of 29 recent works by Aivazovsky at the Galerie Paul Durand-Ruel which was a huge success. During their visit he was also awarded the Legion of Honour in the rank of Commander by the French state. He had previously been awarded the rank of Cavalier in 1858, when he was the first foreign artist to receive it.


This painting presumably remained in France after it was painted and in the 1950s it was authenticated by another celebrated Russian artist, Alexander Benois, who was at the centre of Russian Parisian artistic life from the time of his arrival in 1926 until his death in 1960.