WALTER RICHARD SICKERT, A.R.A. | A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL
WALTER RICHARD SICKERT, A.R.A. | A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL
WALTER RICHARD SICKERT, A.R.A. | A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL
WALTER RICHARD SICKERT, A.R.A. | A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL
WALTER RICHARD SICKERT, A.R.A. | A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL
WALTER RICHARD SICKERT, A.R.A. | A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL
99

WALTER RICHARD SICKERT, A.R.A. | A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL

Estimate: 18,000 - 25,000 GBP

WALTER RICHARD SICKERT, A.R.A. | A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL

Estimate: 18,000 - 25,000 GBP

Lot Sold:32,500GBP
(9 bids, reserve met)

Description

WALTER RICHARD SICKERT, A.R.A.

1860-1942

A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL


signed Sic (lower right)

ink, watercolour and gouache on paper

unframed: whole sheet - 36 by 26cm., 14 by 10in.; image - 32.5 by 21.5cm., 12½ by 8½in.

framed: 55 by 42cm., 21½ by 16½in.

Executed in 1897. 


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Condition Report

The sheet is attached to the mount with a strip of adhesive tape at the left edge. There are Artist's pinholes at the extreme corners. The sheet undulates slightly in keeping with the Artist's materials. The left edge is slightly unevenly torn, not visible in the present frame, and the other three edges appear neatly cut, also not visible in the present frame. There are remnants of adhesive towards the edges, with a few minor instances to the background grey. There are a few very faint and minor scuffs. There are tiny instances of craquelure to a few raised areas of paint, only visible upon extremely close inspection. There is dirt and handling marks to the extreme edges. There is possible time staining and mount staining to the sheet, not visible in the present frame. This excepting the work appears in very good overall condition, with strong colours throughout.


The work is window mounted and held behind glass in a painted wooden frame.


Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Provenance

The Leicester Galleries, London

Acquired by Mr Logan Pearsall Smith at the 1941 exhibition

A. Harari

The Fine Art Society, London, where acquired by Edgar Astaire, 30 June 1995

Christie's, London, 26 June 2015, lot 124

Literature

Vanity Fair, 25 February 1897, illustrated 

Wendy Baron, Sickert, Phaidon, 1973, cat. no.96, p.315

Wendy Baron, Sickert: Paintings and Drawings, New Haven and London, 2006, cat. no.79.2, pp.199-200 

Exhibited

London, The Leicester Galleries, The First Exhibition of Paintings, Drawings & Sculpture by Artists of Fame and Promise, Summer 1941, cat. no.38

Catalogue Note

The present work depicts Israel Zangwill (1964-1926), the Zionist Jewish leader and writer who was an acquiantance of Sickert's first wife Ellen Cobden. The work is distinctly Whistlerian in its style and tone notably in the muted and closely modulated greys of the background. The present work was a sketch for Vanity Fair which was published on 25 February 1897. It was called A Child of the Ghetto after the title of a story by Zangwill set in the Venetian ghetto and which had been recently published.

There is an oil portrait of Israel Zangwill by Sickert in the National Galleries of Scotland, Edinburgh.

WALTER RICHARD SICKERT, A.R.A. | A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL
WALTER RICHARD SICKERT, A.R.A. | A CHILD OF THE GHETTO, MR ISRAEL ZANGWILL
Lot Closed