1 JACQUES BELLANGE | THE VIRGIN AND CHILD WITH DISTAFF AND AN ANGEL (WALCH 9; GRIFFITHS/HARTLEY 8A)

2 AFTER HIERONYMUS BOSCH | THE TEMPTATION OF ST. ANTHONY (HOLLSTEIN 10; NEW HOLLSTEIN (THE VAN DOETECUM FAMILY) 216)

3 RENÉ BOYVIN | HISTOIRE DE JASON ET DE LA CONQUÊTE DE LA TOISON D'OR (ROBERT-DUMESNIL 39-64)

4 GIOVANNI ANTONIO CANAL, CALLED CANALETTO | VEDUTE: FOUR VIEWS (BROMBERG 20, 24, 26, 30)

5 GIOVANNI ANTONIO CANAL, CALLED CANALETTO | VEDUTE: FOUR VIEWS (B. 1, 2, 5, 11)

6 GIOVANNI ANTONIO CANAL, CALLED CANALETTO | VEDUTE: THREE VIEWS (B. 3, 7, 8)

7 ALBRECHT DÜRER | SAINT THOMAS (BARTSCH 48; MEDER, HOLLSTEIN 50)

8 ALBRECHT DÜRER | VIRGIN AND CHILD WITH THE PEAR (B. 41; M., HOLL. 33)

9 ALBRECHT DÜRER | CHRIST ON THE CROSS (B. 24; M., HOLL. 23)

10 ALBRECHT DÜRER | SAINT JEROME IN HIS STUDY (B. 60; M., HOLL. 59)

11 ALBRECHT DÜRER | MELENCOLIA I (B. 74; M., HOLL. 75)

13 MASTER ES | THE VISITATION (LEHRS 16)

66 REMBRANDT HARMENSZ. VAN RIJN | ST. JEROME IN A DARK CHAMBER (B., HOLL. 105; NEW HOLL. 212; H. 201)

67 REMBRANDT HARMENSZ. VAN RIJN | THE REST ON THE FLIGHT INTO EGYPT: A NIGHT PIECE (B., HOLL. 57; NEW HOLL. 216; H. 208)

68 REMBRANDT HARMENSZ. VAN RIJN | THE FLIGHT INTO EGYPT: A NIGHT PIECE (B., HOLL. 53; NEW HOLL. 262; H. 253)

69 REMBRANDT HARMENSZ. VAN RIJN | THE DESCENT FROM THE CROSS BY TORCHLIGHT (B., HOLL. 83; NEW HOLL. 286; H. 280)

70 REMBRANDT HARMENSZ. VAN RIJN | A BLIND HURDY-GURDY PLAYER AND FAMILY RECEIVING ALMS (B., HOLL. 176; NEW HOLL. 243; H. 233)

71 REMBRANDT HARMENSZ. VAN RIJN | ST JEROME KNEELING IN PRAYER, LOOKING DOWN (B., HOLL. 102; NEW HOLL. 142; H. 140)

72 REMBRANDT HARMENSZ. VAN RIJN | WOMAN WITH A HIGH HEADDRESS WRAPPED AROUND THE CHIN: BUST (B., HOLL. 358; NEW HOLL. 58; H. 83)

73 REMBRANDT HARMENSZ. VAN RIJN | WOMAN BATHING HER FEET AT A BROOK (B., HOLL. 200; NEW HOLL. 309; H. 289)

74 REMBRANDT HARMENSZ. VAN RIJN | THE TRIUMPH OF MORDECAI (B., HOLL. 40; NEW HOLL. 185; H. 172)

75 REMBRANDT HARMENSZ. VAN RIJN | THE PRESENTATION IN THE TEMPLE: OBLONG PLATE (B., HOLL. 49; NEW HOLL. 184; H. 162)

76 REMBRANDT HARMENSZ. VAN RIJN | CHRIST AT EMMAUS: THE LARGER PLATE (B., HOLL. 87; NEW HOLL. 283; H. 282)

77 CIRCLE OF TIZIANO VECELLIO, CALLED TITIAN | THE CONVERSION OF SAINT PAUL (ROSAND & MURARO 16)

78 FRANCISCO JOSÉ DE GOYA Y LUCIENTES | LA TAUROMAQUIA (DELTEIL 224-256; HARRIS 204-236)

79 ADRIAEN VAN OSTADE | THE ANGLERS (GODEFROY 26)

80 SALVADOR DALÍ | MOÏSE ET LE MONOTHÉISME (FIELD 75-2)

81 MARC CHAGALL | TRAPÉZISTE À L'OISEAU (MOURLOT 477A)

82 MARC CHAGALL | LES TROIS NUS (M. 1028)

84 WASSILY KANDINSKY | KLEINE WELTEN III (R. 166)

85 WASSILY KANDINSKY | KLEINE WELTEN VII (R. 170)

86 WASSILY KANDINSKY | KLEINE WELTEN I (R. 164)

87 WASSILY KANDINSKY | KLEINE WELTEN II (R. 165)

88 HENRI MATISSE | LE GRAND BOIS (DUTHUIT 317)

89 JACQUES VILLON AFTER HENRI MATISSE | MATISSE, L'ESPAGNOLE (GINESTET & POUILLON E 645)

90 JOAN MIRÓ | LA SERPENTINE (DUPIN 1005)

91 JOAN MIRÓ | DEMI-MONDAINE À SA FENÊTRE (D. 742)

92 JOAN MIRÓ | SUITES POUR UBU ROI (PLATE XXI) (MOURLOT 412, SEE CRAMER BOOKS 107)

93 JOAN MIRÓ | L'AIGLE ET LA FEMME LA NUIT (D. 22)

94 JOAN MIRÓ | L’OISEAU DE NUIT (D. 336)

95 JOAN MIRÓ | EQUINOXE (D. 428)

96 EDVARD MUNCH | TOWARDS THE FOREST I (WOLL 112; SCHIEFLER 100)

97 EDVARD MUNCH | THE GIRLS ON THE BRIDGE (W. 628; SCH. 488)

98 EDVARD MUNCH | MELANCHOLY III (W. 203; SCH. 144)

99 EDVARD MUNCH | THE WOMAN AND THE HEART (W. 55; SCH. 48)

100 EDVARD MUNCH | PORTRAIT OF A WOMAN (W. 407; SCH. 370)

101 EDVARD MUNCH | THE BROOCH. EVA MUDOCCI (W. 244; SCH. 212)

102 EDVARD MUNCH | OMEGA'S FLIGHT (W. 353; SCH. 323)