View full screen - View 1 of Lot 116. NADAR (GASPARD-FÉLIX TOURNACHON) | PIERRE-LUC-CHARLES CICÉRI.
116

NADAR (GASPARD-FÉLIX TOURNACHON) | PIERRE-LUC-CHARLES CICÉRI

NADAR (GASPARD-FÉLIX TOURNACHON) | PIERRE-LUC-CHARLES CICÉRI

NADAR (GASPARD-FÉLIX TOURNACHON) | PIERRE-LUC-CHARLES CICÉRI

NADAR (GASPARD-FÉLIX TOURNACHON)

1820-1910

PIERRE-LUC-CHARLES CICÉRI


salt print, signed and annotated '113 St Lazare' in ink on the image, mounted, titled 'Cicéri' in ink and with the photographer's studio blindstamp on the mount, 1856-58

9¼ by 7¼ in. (23.5 by 18.4 cm.)

This salt print is in generally excellent condition. Grading this salt print on a scale of 1 to 10 – a 10 being a print with deep brown dark tones and cream-toned highlights that retain all of their original detail – it rates a 9, The image retains a high level of detail overall, with the texture of the sitter's coat, trousers, and wiry hair readily discernible. There are two very small deposits, likely original retouching, near the sitter's face. In raking light, a few faint glossy swipes in the lower half of the image are visible.


The print is trimmed to the image with rounded corners. The mount, blindstamped 'Papeterie J. Berville, Chaussee d'Antin, Paris,' is appropriately age-darkened at the upper and lower edges. There is a tideline along the lower left mount edge. The front and reverse are evenly soiled.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.  

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE INCLUDED IN THE CATALOGUE.

Private collection, Paris

Martin Kaukas Books, Manchester, VT, 2007