IRVING PENN | 'WOMAN IN PALACE (MARRAKECH, MOROCCO, LISA FONSSAGRIVES-PENN)'
IRVING PENN | 'WOMAN IN PALACE (MARRAKECH, MOROCCO, LISA FONSSAGRIVES-PENN)'
IRVING PENN | 'WOMAN IN PALACE (MARRAKECH, MOROCCO, LISA FONSSAGRIVES-PENN)'
IRVING PENN | 'WOMAN IN PALACE (MARRAKECH, MOROCCO, LISA FONSSAGRIVES-PENN)'
198

IRVING PENN | 'WOMAN IN PALACE (MARRAKECH, MOROCCO, LISA FONSSAGRIVES-PENN)'

Estimate: 70,000 - 100,000 USD

IRVING PENN | 'WOMAN IN PALACE (MARRAKECH, MOROCCO, LISA FONSSAGRIVES-PENN)'

Estimate: 70,000 - 100,000 USD

Lot Details

Description

IRVING PENN

1917-2009

'WOMAN IN PALACE (MARRAKECH, MOROCCO, LISA FONSSAGRIVES-PENN)'


selenium-toned, mounted, signed, titled, dated, and annotated in ink and stamped on the reverse, framed, 1951, printed in 1992, one of no more than 40 prints in gelatin silver  

15⅜ by 15⅜ in. (39.1 by 39.1 cm.)

Condition Report

This gelatin silver print, toned in selenium, is in generally excellent condition. Under very close examination there are a few deposits of expertly applied original retouching. On the reverse of the mount there are a few tape remnants along the edges, and 'REF: 16662' is written in ink and 'RM' is written in pencil. The copyright stamp is ink-annotated '1951,' 'Print made 1992,' and 'Renewed 1979.' The edition stamp on the reverse indicates that signed, silver prints of this negative do not exceed 40.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.  

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE INCLUDED IN THE CATALOGUE.

Cataloguing

Literature

Irving Penn, Moments Preserved (New York, 1960), p. 67

John Szarkowski, Irving Penn (New York: The Museum of Modern Art, 1984), pl. 35

Merry A. Foresta and William F. Stapp, Irving Penn: Master Images (Washington, D. C., 1990), pl. 29

Irving Penn, Passage (New York, 1991), p. 102

Colin Westerbeck, ed., Irving Penn: A Career in Photography (The Art Institute of Chicago, 1997), pl. 24

Merry A. Foresta, Irving Penn: Beyond Beauty (Washington, D. C., and New York: Smithsonian American Art Museum in association with The Irving Penn Foundation, 2015), pl. 91

Photographs
Online bidding closed03 Apr 2020 | 07:29 PM GMT