View full screen - View 1 of Lot 121. NICOLAS DE LARGILLIERRE | PORTRAIT OF A GENTLEMAN, SAID TO BE THE CHAMBERLAIN DE MONTARGU, HALF-LENGTH, WEARING A BREASTPLATE OVER A RED VELVET JACKET WITH GOLD EMBROIDERED SLEEVES.
121

NICOLAS DE LARGILLIERRE | PORTRAIT OF A GENTLEMAN, SAID TO BE THE CHAMBERLAIN DE MONTARGU, HALF-LENGTH, WEARING A BREASTPLATE OVER A RED VELVET JACKET WITH GOLD EMBROIDERED SLEEVES

Estimate:

15,000

to
- 20,000 USD

Property from a Distinguished American collection

NICOLAS DE LARGILLIERRE | PORTRAIT OF A GENTLEMAN, SAID TO BE THE CHAMBERLAIN DE MONTARGU, HALF-LENGTH, WEARING A BREASTPLATE OVER A RED VELVET JACKET WITH GOLD EMBROIDERED SLEEVES

NICOLAS DE LARGILLIERRE | PORTRAIT OF A GENTLEMAN, SAID TO BE THE CHAMBERLAIN DE MONTARGU, HALF-LENGTH, WEARING A BREASTPLATE OVER A RED VELVET JACKET WITH GOLD EMBROIDERED SLEEVES

Estimate:

15,000

to
- 20,000 USD

Lot sold:

47,500

USD

Property from a Distinguished American Collection

NICOLAS DE LARGILLIERRE

Paris 1656 - 1746

PORTRAIT OF A GENTLEMAN, SAID TO BE THE CHAMBERLAIN DE MONTARGU, HALF-LENGTH, WEARING A BREASTPLATE OVER A RED VELVET JACKET WITH GOLD EMBROIDERED SLEEVES


oil on canvas

canvas: 32⅜ by 25⅜ in.; 82.3 by 64.5 cm.

framed: 39½ by 33½ in.; 100.3 by 85.1 cm. 

The canvas has an old relining and is flat and stable. The work has a somewhat heavy varnish which appears milky and uneven under ultraviolet, but to the naked eye the painting reads clearly and evenly. The details are very well-preserved and the brushwork in the lace and hair are particularly nice. The colors remain vibrant and details in the face are vivid and untouched. There is an area of restoration in the background just to the left of the sitter's head, about 3 inches high and 2 inches across, and a couple minor retouches in the dark area of the breastplate which flouresce under UV light. Overall, the painting presents very well and can be hung as is. Offered in a carved giltwood frame.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Anonymous sale, New York, Christie's, 2 November 2000, lot 194;

There acquired. 

Another version of this impressive portrait is in the Gemäldegalerie, Dresden (inv. no. 758). The Dresden version dates to circa 1710, and it is likely that the present painting dates to the same period. The sitter was first identified as the Chamberlain of Montargu by Karl Woerman in 1887; though this identification has not been fully confirmed, the Dresden version has since catalogued the sitter as such with certainty.