View full screen - View 1 of Lot 96. Sold Without Reserve | MANNER OF ALESSANDRO MAGNASCO, CALLED IL LISSANDRINO | A CONCERT IN A TAVERN AMONG RUINS.
96

Sold Without Reserve | MANNER OF ALESSANDRO MAGNASCO, CALLED IL LISSANDRINO | A CONCERT IN A TAVERN AMONG RUINS

Reserves

Estimate:

2,000

to
- 3,000 USD

Sold Without Reserve

Sold Without Reserve | MANNER OF ALESSANDRO MAGNASCO, CALLED IL LISSANDRINO | A CONCERT IN A TAVERN AMONG RUINS

Sold Without Reserve | MANNER OF ALESSANDRO MAGNASCO, CALLED IL LISSANDRINO | A CONCERT IN A TAVERN AMONG RUINS

Estimate:

2,000

to
- 3,000 USD

Lot sold:

4,000

USD

Sold Without Reserve

MANNER OF ALESSANDRO MAGNASCO, CALLED IL LISSANDRINO

A CONCERT IN A TAVERN AMONG RUINS


oil on canvas, unlined

canvas: 43 by 21¼ in.; 109.2 by 53.9 cm.

framed: 46½ by 24½ in.; 118.1 by 62.3 cm.

The canvas appears to be unlined, with no patches or repaired patches visible on the reverse. There is a prominent pattern of stable craquelure visible on the painted surface. There is a small spot of paint loss in the background at the lower left, and there are some raised dents to the canvas scattered at the edges and here and there throughout the composition. A slightly speckled texture to the surfaces also appears scattered near the edges. UV light reveals a thick varnish that fluoresces unevenly in areas. Some strokes of retouching are visible in the upper right corner, and some feathery strokes of retouching or strengthening scattered in the architectural setting Otherwise, only a few scattered strokes are visible here and there. Offered in a simply carved giltwood frame with chip and nicks.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


With Galeries Nackers, Brussels (according to a label on the reverse).

The lower portion of this composition closely compares to a drawing of the same subject by Alessandro Magnasco sold at Sotheby's London in 2014,as well as to a painting by him showing a concert in an interior.2  The architectural setting of the present painting loosely recalls that found in Magnasco's painting of a similar theme today in the Nationalmuseum, Sweden.3


1. Anonymous sale, London, Sotheby's, 9 July 2014, lot 87.  Point of the brush and two shades of brown wash, heightened with white, on paper washed light brown

243 by 326 mm.


2. L. Muti and D. De Sarno Prignano, Alessandro Magnasco, Faenza 1994, p. 246, cat. no. 272, reproduced fig. 281.


3. Inv. no. NM 5340, oil on canvas, 100 by 75 cm.