View full screen - View 1 of Lot 114. Sold Without Reserve | GERMAN SCHOOL, FIRST HALF OF THE 19TH CENTURY | JUPITER AND IO.
114

Sold Without Reserve | GERMAN SCHOOL, FIRST HALF OF THE 19TH CENTURY | JUPITER AND IO

Reserves

Estimate:

3,000

to
- 5,000 USD

Sold Without Reserve

Sold Without Reserve | GERMAN SCHOOL, FIRST HALF OF THE 19TH CENTURY | JUPITER AND IO

Sold Without Reserve | GERMAN SCHOOL, FIRST HALF OF THE 19TH CENTURY | JUPITER AND IO

Estimate:

3,000

to
- 5,000 USD

Lot sold:

6,250

USD

Sold Without Reserve

GERMAN SCHOOL, FIRST HALF OF THE 19TH CENTURY

JUPITER AND IO


oil on canvas

canvas: 17½ by 12⅞ in.; 41.5 by 32.5 cm.

framed: 22 by 18½ in.; 55.9 by 47 cm. 

The canvas appears to be thinly lined and is stable on its stretcher. Stretcher bar marks are faintly visible at all edges, and a pattern of craquelure visible throughout. The painting reads well, and there are no visible losses or instabilities to the paint layer. Some thinness to the surface in the lower right corner. Inspection under UV reveals a thick and uneven varnish that fluoresces unevenly. Some strengthening to the background, particularly in the darks along the left edge, is apparent. One spot of repair in the background to the left of the figure's bosom, some strokes near her arm at the right edge, and a few spots and strokes in the clouds and in the red fabric in the lower center. There may be scattered old spots of retouching in her fleshtones, and some strengthening to the shadows around her leg and in her hair. Offered in a wood frame painted red and black with a decoratively carved gilt liner.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

The composition of this canvas has its roots in a painting of Jupiter and Io by Matthäus Gundelach (fig. 1), an Imperial Kammermaler of Rudolf II and close associate of Joseph Heintz the Elder.1 That work by Gundelach, which was likely completed in Prague and dates to about 1610-1614, in turn drew clear inspiration from Correggio's painting of the same subject, which entered the Imperial Collection of Rudolf II in the first decade of the seventeenth century. By the early 19th century, Gundelach's painting had entered a prominent Prussian collected, where it descended for generations.


1. Anonymous sale, London, Sotheby's, 7 December 2017, lot 139. Oil on panel, 61 by 39.8 cm.