View full screen - View 1 of Lot 70. Sold Without Reserve | FOLLOWER OF FRANCESCO CAIRO | SAINT AMBROSE.
70

Sold Without Reserve | FOLLOWER OF FRANCESCO CAIRO | SAINT AMBROSE

Reserves

Estimate:

6,000

to
- 8,000 USD

Sold without Reserve

Sold Without Reserve | FOLLOWER OF FRANCESCO CAIRO | SAINT AMBROSE

Sold Without Reserve | FOLLOWER OF FRANCESCO CAIRO | SAINT AMBROSE

Estimate:

6,000

to
- 8,000 USD

Lot sold:

2,125

USD

Sold without Reserve

FOLLOWER OF FRANCESCO CAIRO

Milan 1607 - 1665

SAINT AMBROSE


oil on canvas, unframed

canvas: 43¾ by 35¾ in.; 111.1 by 90.8 cm.

The canvas is lined. The image reads clearly beneath a thick varnish, and the painting is somewhat dirty. Some impasto remains in the painted details, for example in the yellow highlights of his costume and in the lacework around his wrists. Some retouches are visible to the naked eye.  There are some scattered cracks and tears to the canvas. One network of cracks is visible at center, but there is a supporting patch on the reverse. Three repaired cracks are also visible, one over his left shoulder and two in the background near his right shoulder, and all also have associated patches on the reverse. There is one 7 inch tear down the left edge and another T-shaped tear near the lower edge, left of center, with some associated loss. UV light reveals a heavy masking varnish, and a few of the aforementioned repaired cracks fluoresce, as do a few scattered retouches. Offered unframed.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

The prime version of this painting is located in a private collection, Italy.1 


1.  Francesco del Cairo 1607-1665, exhibition catalogue, Milan 1983, p. 106-107, cat. no. 13, reproduced p. 107.