View full screen - View 1 of Lot 13. Sold Without Reserve | ATTRIBUTED TO SIR ANTHONY VAN DYCK | PORTRAIT OF MARCHESA ELENA GRIMALDI CATTANEO, BUST LENGTH, A STUDY.
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Sold Without Reserve | ATTRIBUTED TO SIR ANTHONY VAN DYCK | PORTRAIT OF MARCHESA ELENA GRIMALDI CATTANEO, BUST LENGTH, A STUDY

Sold Without Reserve

Sold Without Reserve | ATTRIBUTED TO SIR ANTHONY VAN DYCK | PORTRAIT OF MARCHESA ELENA GRIMALDI CATTANEO, BUST LENGTH, A STUDY

Sold Without Reserve | ATTRIBUTED TO SIR ANTHONY VAN DYCK | PORTRAIT OF MARCHESA ELENA GRIMALDI CATTANEO, BUST LENGTH, A STUDY

Sold Without Reserve

ATTRIBUTED TO SIR ANTHONY VAN DYCK

Antwerp 1599 - 1641 London

PORTRAIT OF MARCHESA ELENA GRIMALDI CATTANEO, BUST LENGTH, A STUDY


oil on paper, laid on canvas, unframed

sheet: 12⅝ by 8⅞ in.; 32 by 22.5 cm.

canvas: 15½ by 12⅛ in.; 39.4 by 30.8 cm.

The sheet of paper was laid down on canvas at a later state. At that time, the paper was placed slightly to the left of center on the canvas. The canvas edges that extend beyond the sheet of paper were painted dark grey at a later state, so as to make these edges less distracting. The face and parts of the costume of the figure read very well, and the image presents strongly. The background of the paper is thinned towards the edges, but this may be consistent to the technique in which the painting was originally made. Under UV: this painting has had very judiciously and finely applied fine strokes of inpainting to unify the flesh tones, but this is likely a result of the technique of oil on paper. There is a thin vertical restoration along a possible crease to the paper that runs parallel to the left of the face, from the flower to the bottom of her ruff. There is also one thin 2 inch crease in her hair. Other scattered small spots of retouching are visible only here and there. Offered unframed.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Please note an updated overall image of this lot—which illustrates the larger canvas on to which the sheet of paper is laid—is now visible online.

Probably, anonymous sale, London, Christie's, 23 November 1901, lot 97 (as Spanish School, Head of a Lady, as suggested by a markings on the reverse).

This sketch relates to Sir Anthony van Dyck's full length Portrait of Marchesa Elena Grimaldi Cattaneo of 1623 in the National Gallery of Art, D.C. (inv. no. 1942.9.92).The present work also can be compared to a smaller bust-length head study on canvas of the same sitter by Van Dyck in the Smithsonian American Art Museum (inv. no. 1929.6.155)2 that he likely completed prior to the full-length version in circa 1622-1623. 


1. https://www.nga.gov/collection/art-object-page.1231.html


2. https://americanart.si.edu/artwork/marchesa-elena-grimaldi-cattaneo-25557