View full screen - View 1 of Lot 29. AGNOLO DI DOMENICO DEL MAZZIERE, FORMERLY KNOWN AS THE MASTER OF SANTO SPIRITO  |  THE RESURRECTION OF CHRIST.
29

AGNOLO DI DOMENICO DEL MAZZIERE, FORMERLY KNOWN AS THE MASTER OF SANTO SPIRITO | THE RESURRECTION OF CHRIST

Estimate:

15,000

to
- 20,000 USD

AGNOLO DI DOMENICO DEL MAZZIERE, FORMERLY KNOWN AS THE MASTER OF SANTO SPIRITO | THE RESURRECTION OF CHRIST

AGNOLO DI DOMENICO DEL MAZZIERE, FORMERLY KNOWN AS THE MASTER OF SANTO SPIRITO | THE RESURRECTION OF CHRIST

Estimate:

15,000

to
- 20,000 USD

Lot sold:

15,000

USD

AGNOLO DI DOMENICO DEL MAZZIERE, FORMERLY KNOWN AS THE MASTER OF SANTO SPIRITO

Florence 1466-1513

THE RESURRECTION OF CHRIST


tempera on panel, unframed

panel: 8⅛ by 12½ in.; 20.8 by 32 cm.

with additions: 9 by 13⅜ in.; 22.8 by 33.6 cm. 

This panel is unframed, with pieces of wood on all four sides to protect the edges. The surface is slightly dirty, but the painting presents itself as a very original object. The gold in the background, while slightly worn, appears to be very old if not original. There is slight abrasion here and there, but the figure of Christ and his robe for the most part appears to be relatively intact. There are old restorations visible under UV in parts of the white, of the flag and the sepulcher. The browns and greens have somewhat oxidized but overall the landscape retains a good sense of recession. The reverse of the panel appears to be relatively untouched, with old inactive wormholes, along with an old label, circa 1800, and an old wax seal. Unframed.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Please note that there is additional provenance for this lot. We are grateful to Frank Dabell for identifying one of the wax seals on the reverse of the panel. One of the two represents a large queen bee beneath a crown surrounded by numerous other smaller bees. Mr. Dabell has identified this emblem as having belonged to Ferdinando de' Medici (1549-1609). A similar wax seal can be found today on the reverse of Sandro Botticelli's Portrait of Giuliano de' Medici, in the National Gallery of Art, Washington D.C. (inv. no. 1952.5.56).

Possibly, Ferdinando de’ Medici (1549-1609), according to a wax seal on the reverse;

Art market, Rome, by 1991 (according to the Fototeca Zeri);

Anonymous sale, Vienna, Dorotheum, 21 April 2015, lot 201 (as Central Italian School, 15th Century);

There acquired by the present owner. 

This work appears to be a predella panel from an unknown altarpiece by Agnolo di Domenico del Mazziere, formerly known as the Master of Santo Spirito. Another fragment of this altarpiece showing the Flagellation is in the Musée du Petit Palais, Avignon.1

We are grateful to Frank Dabell for identifying one of the wax seals on the reverse of the panel. One of the two represents a large queen bee beneath a crown surrounded by numerous other smaller bees. Mr. Dabell has identified this emblem as having belonged to Ferdinando de’ Medici (1549-1609). A similar wax seal can be found today on the reverse of Sandro Botticelli’s Portrait of Giuliano de’ Medici, in the National Gallery of Art, Washington D.C. (inv. no. 1952.5.56).


1. Inv. no. MI 588, panel, 21 by 53 cm. 

https://www.pop.culture.gouv.fr/notice/joconde/000PE012635