PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND
PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND
Lot Closed
PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND
PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND
PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND
PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND
PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND
PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND
587

PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND

Estimate: 4,000 - 6,000 USD

PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND

PIETER MOLIJN | TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND

Estimate: 4,000 - 6,000 USD

Description

PIETER MOLIJN

London 1595 - 1661 Haarlem

TWO MEN AND THREE DOGS IN A DUNE LANDSCAPE, WITH A FARMSTEAD BEHIND


Black chalk and grey wash, within brown ink framing lines;

signed, lower right: PMolyn (PM in monogram)

148 by 189 mm

Condition report

Hinge mounted. The sheet has discoloured somewhat and there are some small areas of surface dirt and staining throughout. There is an area of slight abrasion to the upper right edge, possibly as a result of an old mount. The medium is fresh and vibrant throughout this attractive work.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Provenance

Sale, Amsterdam, Muller, 20 November 1882, lot 139;

Baron Adalbert von Lanna (L.2773),

his sale, Stuttgart, Gutekunst, 6 May 1910, lot 400, to Alfred Stroelin;

with Gutekunst & Klipstein, Bern, by 1926;

with C.G. Boerner, Leipzig, by 1929;

sale, Leipzig, C.G. Boerner, 7 November 1929, lot 102;

sale, Leipzig, C.G. Boerner, 19 June 1937, lot 364;

W. Mertens, Leipzig;

sale, Leipzig, C.G. Boerner, 28 April 1939, lot 400;

with C.G. Boerner, Leipzig, by 1948;

Dr. Walter Beck, Berlin (L.2603b),

by descent to Dr. Hans-Ulrich Beck (his mark verso, not in Lugt);

with Gebr. Douwes, Amsterdam, by 1985

Literature

H.-U. Beck, Pieter Molyn, Katalog der Handzeichnungen, Doornspijk 1998, p. 185, no. 400, reproduced

Catalogue note

Van der Vinne was one of the most able of the Haarlem artists who carried the city's illustrious landscape traditions forward to the end of the 17th century.