JOHANNES BOUMAN | STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE
Property from a Private Connecticut Collection
JOHANNES BOUMAN | STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE
Lot Closed
JOHANNES BOUMAN | STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE
JOHANNES BOUMAN | STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE
JOHANNES BOUMAN | STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE
JOHANNES BOUMAN | STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE
JOHANNES BOUMAN | STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE
567

JOHANNES BOUMAN | STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE

Estimate: 20,000 - 30,000 USD

Property from a Private Connecticut Collection

JOHANNES BOUMAN | STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE

JOHANNES BOUMAN | STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE

Estimate: 20,000 - 30,000 USD

Description

Property from a Private Connecticut Collection

JOHANNES BOUMAN

Strasbourg 1601 - 1658 Utrecht

STILL LIFE OF FRUIT IN A KRAAK BOWL, ON A LEDGE


signed on ledge lower right: Boumann fec

oil on panel

panel: 23¼ by 29¼ in.; 59 by 74.3 cm.

framed: 30 by 35½ in.; 76.2 by 90.2 cm.

Condition report

The panel is flat, cradled, and stable. A still life image reads well with the bold colors of fruits retained despite some thinning in the grapes. A thin horizontal crack runs the length of the panel about 6 inches from the bottom as well as another thin crack 4 inches in length at upper right; both have been repaired and are barely noticeable. Two diagonal lines at the bottom edge on the stone ledge could be retouching or may be inherent to the original paint surface. Under UV inspection, retouching to the longer of the cracks is visible along with some scattered strokes in the shadows on either side of the bowl and along the stone ledge. Older retouches may be masked by the varnish. The painting can certainly hang as is. Offered in a decoratively carved giltwood frame. 


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Provenance

New York art market, 1952

Victor Spark, New York, until 1965, when sold to private collector;

By whom sold, New York, Sotheby's, January 14, 1988, lot 98;

Where acquired.

Literature

W. Bernt, Die Niederländischen Maler und Zeichner des 17. Jahrhunderts, Munich 1979, vol. I, reproduced pl. 178;

E. Coatalem, 17th Century Still-Life Painting in France, Dijon 2014, pp. 132-133, reproduced. 

Exhibited

New Orleans, Isaac Delgado Museum of Art, Fêtes de la Palette, November 1962 - January 1963, no. 21 (lent by Victor Spark);

Flint, MI, Flint Institute of Arts, 1966;

Boston, Museum of Fine Arts, on loan from 1973 - 1987.

Catalogue note

Jean-Jacques Bauman was born in Strasbourg and adopted the Dutch form of his name when he relocated to Amsterdam in or before 1622. He drew inspiration from German still life painters like Georg Flegel, as well as from Dutch and Flemish artists like Ambrosius Bosschaert. Bouman specialized in food still lifes and included luxury items from the far East like the present kraak bowl. The same bowl appears frequently in the artist's work, suggesting that he had enough financial success to own such an item.