ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE
ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE
Lot Closed
ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE
ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE
ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE
ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE
ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE
ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE
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ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE

Estimate: 10,000 - 15,000 USD

ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE

ATTRIBUTED TO LOUISE MOILLON | STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE

Estimate: 10,000 - 15,000 USD

Description

ATTRIBUTED TO LOUISE MOILLON

Paris 1610 - 1696

STILL LIFE OF A BASKET OF GRAPES WITH A CUT POMEGRANATE RESTING ON A TABLE


marked on the reverse with either panel maker or owner sign

oil on panel

panel: 25 by 21¾ in.; 63.5 by 55.2 cm.

framed: 31 by 27½ in.; 78.7 by 69.9 cm.

Condition report

This panel, which appears to be a fragment, consists of at least three boards with horizontal joins. The panel is uncradled and has a slight horizontal undulation. The fruits are well preserved though the details in the background have sunken. A few cracks to the wood are visible like at center right, as well as some scratches to the paint surface like at bottom right. There is active flaking and spots of loss scattered through the central quadrants of the composition. Discolored retouches are also visible, especially in the top join that runs right above the grapes. Inspection under UV shows barely any retouching to the pomegranate and grapes, while scattered spots of retouches in the ledge and background fluoresce. This painting could benefit from some attention and it is recommended that the flaking be stabilized. Offered framed.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Catalogue note

This fruit still life has compositional similarities with many of Moillon's works, although the configuration of the panel suggests that it is a fragment of a larger horizontal painting. Pentimenti can be seen around the pomegranate, indicating the artist changed the position of the fruit. The panel itself comes from Antwerp, as indicated by the panel maker's mark of hands on the reverse. Artists working in Paris, where Moillon was active, often imported panels from Antwerp.