View full screen - View 1 of Lot 80. SIR THOMAS LAWRENCE, P.R.A. | Portrait of Hon. Edward Spencer (1779-1823), half-length, wearing a brown coat with a black collar, yellow vest and white stock.
80

SIR THOMAS LAWRENCE, P.R.A. | Portrait of Hon. Edward Spencer (1779-1823), half-length, wearing a brown coat with a black collar, yellow vest and white stock

Estimate:

40,000 - 60,000 GBP

The Property of a Lady

SIR THOMAS LAWRENCE, P.R.A. | Portrait of Hon. Edward Spencer (1779-1823), half-length, wearing a brown coat with a black collar, yellow vest and white stock

SIR THOMAS LAWRENCE, P.R.A. | Portrait of Hon. Edward Spencer (1779-1823), half-length, wearing a brown coat with a black collar, yellow vest and white stock

Estimate:

40,000 - 60,000 GBP

Lot sold:

40,000

GBP

The Property of a Lady

SIR THOMAS LAWRENCE, P.R.A.

Bristol 1769 - 1830 London

PORTRAIT OF HON. EDWARD SPENCER (1779-1823), HALF-LENGTH, WEARING A BROWN COAT WITH A BLACK COLLAR, YELLOW VEST AND WHITE STOCK


oil on canvas

unframed: 76.4 x 63.5 cm.; 30 x 25 in.

framed: 93 x 81 cm.; 36 5/8 x 31 7/8 in.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot. 


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The painting appears to be in good overall condition but inspection is inhibited by an opaque varnish layer that makes UV inspection near impossible. However, it is possible to discern a retouching on the upper lip and further possible strengthening through the clothing. Though ready to hang it may benefit from a surface clean.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.  

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE INCLUDED IN THE CATALOGUE.

W.G. Trower Esq.;

By whom sold, London, Christie's, 8 July 1927, lot 55, for £1,260 to Agnew;

With Thomas Agnew & Sons, London (no. 6367), 1928;

Edward Hubert Litchfield;

By whose Estate sold, New York, Parke-Bernet, 11 October 1951, lot 89.

K. Garlick, 'A catalogue of the paintings, drawings and pastels of Sir Thomas Lawrence', in Walpole Society, vol. XXXIX, 1964, p. 60;

K. Garlick, Sir Thomas Lawrence. A complete catalogue of the oil paintings, Oxford 1989, p. 173, cat. no. 215.

Edward Spencer was the third son of the connoisseur George Nassau Clavering Cowper, 3rd Earl Cowper (1738-89) and Hannah Anne Gore, daughter of Charles Gore. His father and mother were both significant figures in Florence (where Edward was born) and were painted by Zoffany in several paintings, including the group portrait of the Gore family, which includes Cowper as a suitor.1 The 3rd Earl owned a significant collection of Old Master paintings, including two Madonnas by Raphael, one of which is pictured, along with Cowper himself inspecting it, in Zoffany's Tribuna of the Uffizi.2 Cowper's pictures were later exhibited at Panshanger House, Hertfordshire, built by Edward's elder brother. 


Edward married Catherine, daughter of Thomas Phillipps of Garendon Park in Leicestershire. They lived at Digswell, in Hertfordshire, a Cowper estate. This portrait is datable to circa 1810.


1 Yale Centre for British Art, Paul Mellon Collection, New Haven, inv. no. B1977.14.87: https://collections.britishart.yale.edu/vufind/Record/1669246

2 Raphael's Niccolini-Cowper Madonna is in the National Gallery of Art, Washington, inv. no. 1937.1.25: https://www.nga.gov/collection/art-object-page.27.html ; and Zoffany's Tribuna of the Uffizi, is in the Royal Collection, inv. no. RCIN 406983: https://www.rct.uk/collection/406983/the-tribuna-of-the-uffizi.