View full screen - View 1 of Lot 59. JAN MORTEL |  A still life of corn, pomegranates, peaches, apricots, prunes, grapes and a squash on a ledge.
59

JAN MORTEL | A still life of corn, pomegranates, peaches, apricots, prunes, grapes and a squash on a ledge

Estimate:

30,000 - 40,000 GBP

Property from a Distinguished Private Collection

JAN MORTEL | A still life of corn, pomegranates, peaches, apricots, prunes, grapes and a squash on a ledge

JAN MORTEL | A still life of corn, pomegranates, peaches, apricots, prunes, grapes and a squash on a ledge

Estimate:

30,000 - 40,000 GBP

Property from a Distinguished Private Collection

JAN MORTEL

Leiden 1652 - 1719

A STILL LIFE OF CORN, POMEGRANATES, PEACHES, APRICOTS, PRUNES, GRAPES AND A SQUASH ON A LEDGE


signed and dated lower left: Mortel f. / A 1700.

oil on oak panel

unframed: 54.2 x 45.7 cm.; 21⅜ x 18 in.

framed: 73 x 64 cm.; 28 3/4 x 25 1/4 in.


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The painting is on an oak panel made from a single plank, bevelled at the left, right, and lower margins. The panel is flat and the paint surface is stable and secure. The painting has a thick varnish which makes inspection under ultraviolet light difficult but apart from a few very minor retouchings the painting appears to be in excellent overall condition with the fine details beautifully preserved. Held in a later, Louis XIV style, gold painted wood frame.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.  

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE INCLUDED IN THE CATALOGUE.


Anonymous sale, Lucerne, Steinmeyer, May 1924;

Art market, Lucerne, 1934;

Anonymous sale, London, Sotheby's, 23 February 1938, lot 120 (sold with a certificate from Dr. Hofstede de Groot);

Anonymous sale, Zürich, Koller, 15-20 October 1975, lot 2817;

Private collection, Switzerland;

Anonymous sale, Bern, Stuker, 20 November 2009, lot 1092;

Anonymous sale, Zürich, Koller, 26 March 2010, lot 3039.

The attribution to Mortel was endorsed on the basis of images by Dr. Fred G. Meijer when the painting was on the market in 2010.