View full screen - View 1 of Lot 102. ATTRIBUTED TO PEDRO DE APONTE | THE NATIVITY .
102

ATTRIBUTED TO PEDRO DE APONTE | THE NATIVITY

Estimate:

40,000 - 60,000 GBP

102

103

ATTRIBUTED TO PEDRO DE APONTE | THE NATIVITY

ATTRIBUTED TO PEDRO DE APONTE | THE NATIVITY

Estimate:

40,000 - 60,000 GBP

Lot sold:

50,000

GBP

ATTRIBUTED TO PEDRO DE APONTE

Saragossa (?) circa 1475 – after 1530 Olite

THE NATIVITY 


oil on panel, arched top

unframed: 68.7 x 44.5 cm.; 27 x 17½ in.

framed: 104.8 x 83 cm.; 41¼ x 32¾ in.


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The panel is uncradled and very slightly bowed. The colours remain bright and vibrant, and there are no major damages visible to the naked eye. Inspection under ultraviolet reveals relatively little retouching. There appear to be two campaigns, one that fluoresces darkly, consisting of small spots largely scattered sparsely in the figures' flesh tones and the sky; the other that fluoresces lightly, comprising small spots and lines in the foreground, in some of the drapery, in the wall behind the ox, and scattered sparsely in the background. The painting is in overall good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Volterra collection, Florence, 1925 (according to the Fondazione Giorgio Cini);

Private collection, Naples, 1991.

W. Angelelli & A.G. De Marchi, Pittura dal Duecento al primo Cinquecento nelle fotografie di Girolamo Bombelli, Milan 1991, p. 234, cat. no. 480 (as Pedro de Aponte?).

Pedro de Aponte is considered to be one of the founders of the Aragonese School of painting. He is believed to have studied with Luca Signorelli and Domenico Ghirlandaio and was active in Italy by 1507.1


We are grateful to Dr. José Gómez Frechina for tentatively endorsing the attribution to Pedro de Aponte, on the basis of digital images. He compares the present work to the panels also attributed to Aponte, in the Museo Capitolare, Atri.2



1 For more on the artist, see C.R. Post, A History of Spanish Painting, vol. XIII, Cambridge 1966, pp. 48–91. 

2 https://www.beweb.chiesacattolica.it/benistorici/bene/4963733/; https://www.beweb.chiesacattolica.it/benistorici/bene/4964182/