The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides
Property from an Important Private Collection
The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides

Lot Closed

The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides
The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides
The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides
The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides
The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides
The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides
The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides
32

The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides

Estimate:

240,000 - 350,000 GBP

Property from an Important Private Collection

The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides

The Master of the Aeneid, French, Limoges, circa 1525-1530 | Plaque with Polyphemus and Achaemenides

Estimate:

240,000 - 350,000 GBP

Lot sold:

523,200

GBP

Description

Property from an Important Private Collection

The Master of the Aeneid

French, Limoges, circa 1525-1530

Plaque with Polyphemus and Achaemenides


partially gilt painted enamel on copper, within a later wood frame

enamel: 22.5 by 20cm., 8 7/8 by 7 7/8 in.

Condition report

Overall the condition of the enamel is very good with minor dirt and wear to the surface consistent with age. There is a small slightly visible rectangular band in the right corner where the enamel looks more opaque than the surrounding material. There is also a small very slightly visible patch of more opaque enamel to the top of the trees. These do not appear to be restorations and they do not fluoresce under UV light. There is some very minor craquelure to the enamel, consistent with the material: to the top corners and to the ground beneath the feet of the two main protagonists. There are some very minor areas of bubbling to the enamel to the top corners and a few barely visible very minor greenish residues.


The gilding is generally in very good condition. There are some small areas of ghosting to the gilding including to the sail of the ship in the foreground and to the central plant between the two protagonists.


The reverse of the plaque: The counter-enamel is particularly beautiful and well preserved. There is minor craquelure to the counter-enamel, consistent with the material.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Provenance

Bürki collection, Bern;

Kofler-Truniger collection, Lucerne, before 1964-1971;

Keir collection, before 1983;

Sotheby’s New York, 20 November 1997, lot 126;

with Alain Moatti, Paris;

Important Private Collection

Literature

H. Schnitzler, P. Bloch and C. Ratton, Email, Goldschmiede- und Metallarbeiten. Europäisches Mittelalter: Sammlung E. and M. Kofler-Truniger Luzern, vol. ii, Lucerne and Stuttgart, 1965, p. 41, no. E 124, pl. 68;
P. Verdier, The Walters Art Gallery: Catalogue of the Painted Enamels of the Renaissance, Baltimore, 1967, p. 75;
S. Baratte, 'La série de plaques du Maître de L’Énéide', in A. Erlande-Brandenburg, J-M. Leniaud and X. Dectot (eds.), Études d'histoire de l'art offertes à Jacques Thirion. Des premiers temps chrétiens au XXe siècle, Paris, 2001, p. 140, no. 31

Exhibited

Zurich, Kunsthaus, Alte Sammlung alter Goldschmiedewerke im Zürcher Kunsthaus, 1964, no. 923;
Aachen (Aix-la-Chapelle), Suermondt Museum, Mittelalterliche Kunst der Sammlung Kofler-Truniger, Luzern, 1965, no. 124;
Kansas City, Nelson Atkins Museum of Art, The Keir Collection, 1983, no. 122