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12

AFTER TIZIANO VECELLIO, CALLED TITIAN | PORTRAIT OF POPE PAUL III (1468-1549), THREE-QUARTER-LENGTH, SEATED

The Property of the Downside Abbey General Trust

AFTER TIZIANO VECELLIO, CALLED TITIAN | PORTRAIT OF POPE PAUL III (1468-1549), THREE-QUARTER-LENGTH, SEATED

AFTER TIZIANO VECELLIO, CALLED TITIAN | PORTRAIT OF POPE PAUL III (1468-1549), THREE-QUARTER-LENGTH, SEATED

The Property of the Downside Abbey General Trust

AFTER TIZIANO VECELLIO, CALLED TITIAN

PORTRAIT OF POPE PAUL III (1468-1549), THREE-QUARTER-LENGTH, SEATED


inscribed on the reverse: Presented/ to/ Downside School/ Jany 1926/ by/ Alfred Jones/ of Bath/ Pope Julius II (later annotated in pencil: Paul III 1543)/ (after)/ Raphiel/ by/ J.M. Ward, R.A.

oil on canvas

unframed: 108.2 x 84 cm.; 42½ x 33 in.

framed: 132.5 x 107 cm.; 52⅛ x 42⅛ in.


Please note: Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot


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The canvas is lined and the paint surface is dirty, with an extremely yellowed varnish. The network of craquelure is quite pronounced, most notably in his flesh tones (where there are also small associated losses) and there are scattered scuff marks throughout the composition. Inspection under ultraviolet light reveals the very thick, streaky and opaque varnish, making it difficult to discern any intervention. The painting would benefit from cleaning, and appears in overall fairly good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

With Alfred Jones, Bath, by whom presented to Downside Abbey in January 1926.

A 19th-century copy after Titian's portrait of Paul III without Cap, at the Museo Nazionale di Capodimonte, Naples (inv. no. 130).1 Titian's original portrait proved to be extremely popular: although he does not mention this particular canvas, Harold Wethey documents approximately 17 other copies in his catalogue raisonné.


1 H. Wethey, The paintings of Titian, London 1971, vol. II, pp. 122-24, cat. no. 72, reproduced plates 115-17.