The Virgin and Child before a landscape |《風景前的聖母與聖嬰》
The Property of a Lady
Florence 1446 - 1516
The Virgin and Child before a landscape
tempera and gilding on poplar panel
70.2 x 49 cm.; 27 5/8 x 19 1/4 in.
70.2 x 49 公分；27 ⅝ x 19 ¼ 英寸
The following condition report is provided by Henry Gentle who is an external specialist and not an employee of Sotheby's:
Biagio d'Antonio Madonna and Child Oil on panel, in modern gilt wood frame.
The panel is in a good state of preservation. There is some evidence of past worm damage and minor vertical fractures are visible. These visible fractures to the reverse are reflected in slight instability to the paint layer, where the paint is raised along vertical hairline ridges. The blue pigment in the sky has become thin over time, allowing the pale ground colour to show through. Mitigation of this with recent restoration has occurred. There is some slight thinness through the figures; overall they are in good preserved condition with only very small restored paint loss to the Madonna's hair. The original gilding to the halos is retained but has been slightly compromised in places, allowing the ground colour to show through. The fine details to the faces of the figures are intact and the mountainous river landscape on the right and the curved balustrade to the left are in a good preserved condition. Little tonal improvement would be gained from removal of the varnish.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
In the collection of the present owner for more than 20 years.
G. Passavant, Verrocchio. Sculptures, Paintings and Drawings, London 1969, p. 212, App. 51, reproduced (as Biagio d'Antonio called ‘Utili’);
E. Fahy, Some Followers of Domenico Ghirlandaio, New York and London 1976, p. 210 (as Biagio d'Antonio);
M. Móre, ‘Compte rendu de la restauration du retable de la Vierge en trône à l'enfant avec cinq saints et deux anges par Andrea del Verrocchio’, in Bulletin du Musée Hongrois des Beaux-Arts, 80–81, 1994, pp. 68, 72, reproduced fig. 37;
R. Bartoli, Biagio d’Antonio, Milan 1999, pp. 146–47, 189, no. 26. reproduced (as Biagio d'Antonio).