There is some dirt and wear to the surface consistent with age. There is yellowish discolouration and residue to the hair. The hair in particular has been heavily cleaned, and the surface has a dry appearance. Otherwise the surface is generally in good condition. There is natural veining to the marble. There are some small nicks and scratches to the proper right arm and to the back. There are some small abrasions to the toes and to the leaves in the ground. Some minor inclusions, including to the proper left arm and the proper right little finger. There is some dirt to the back of the hair.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
Pio Fedi rose to prominence as one of the most important sculptors of his time in his native Florence. He trained with two of Italy's great marble masters, first Lorenzo Bartolini in Florence, and subsequently Pietro Tenerani in Rome. The influences of both can be seen in Fedi's combination of robust naturalism, which stemmed from Bartolini, suffused with the neo-classical vocabulary of Tenerani. His earlier work included various civic commissions, for instance Niccolo Pisarro for the doors of the Uffizi. Through the 1850s he was court sculptor to the Grand Duke Leopold II until the duke's exile in 1859. In 1855 he modelled his masterpiece, the marble group of The Rape of the Polyxena, which stands among seminal Renaissance works in the famous Loggia dei Lanzi on the Piazza della Signoria in Florence.
As exemplified in the present figure, another preoccupation of Fedi's was the innocence of youth, and he excelled at creating charming allegorical representations of children. This winged putto may represent Cupid, the infant god of Love, who is shown in a determined and dynamic pose, as if about to strike on his next amorous victim. The figure compares closely to a pair of allegorical children by Pio Fedi sold in these rooms on 11 December 2019 (lot 48).