A WHITE-GLAZED CARVED 'BEEHIVE' WATERPOT, KANGXI MARK AND PERIOD
A WHITE-GLAZED CARVED 'BEEHIVE' WATERPOT
KANGXI MARK AND PERIOD
清康熙 白釉暗花雲紋馬蹄尊 《大清康熙年製》款
the tall domed body with gently tapering sides rising to a lipped rim and supported on a countersunk base, the exterior delicately carved with billowing ruyi-form clouds, the plumes swirling upwards to curling trails and puffy wisps, the exterior evenly applied with a lustrous, translucent milky-white glaze, the base inscribed in underglaze blue with a three-column six-character reign mark
Height 2¾ in., 7cm
Two cracks and several short glaze lines at the rim. A bruise (approx. 1cm long) at the foot.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
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Sotheby's Hong Kong, 14th November 1989, lot 152.
Zhongguo mingtao riben xunhui zhan. Gangtai mingjia shoucang taoci jingpin [Exhibition of Famous Chinese Ceramics Touring Japan. Fine Ceramics from Private Hong Kong and Taiwanese Collections], Nihonbashi Takashimaya, Tokyo, 1992, p. 176.
The unassuming form of the present waterpot, which has been carved with a sophisticated design of swirling clouds, reflects the subdued elegance and refinement achieved by potters in the Kangxi period. Imperial white glazed wares were traditionally reserved for ritual vessels, and innovative scholar wares of this type mark a move away from these prescribed traditions. On the other hand, the motif of wispy clouds was well known in Jingdezhen from as early as the Yuan dynasty.
A closely related waterpot in the Shanghai Museum is illustrated in Zhongguo taoci quanji/The Complete Works of Chinese Ceramics, vol. 14, Shanghai, 2000, pl. 127; two examples were sold in our Hong Kong rooms, 28th November 1978, lot 137, and 19th November 1986, lot 246, and three further examples were sold in our London rooms, 13th December 1977, lot 553, 15th April 1980, lot 273, and 10th December 1985, lot 272.
Waterpots of this type are more commonly found covered in a celadon glaze; one in the Palace Museum, Beijing, is illustrated in Kangxi, Yongzheng, Qianlong. Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, p. 147, pl. 130; another in the National Palace Museum, Taipei, is published in the Illustrated Catalogue of Ch'ing Dynasty Porcelain in the National Palace Museum. K'ang-hsi Ware and Yung-cheng Ware, Tokyo, 1980, pl. 58; one in the Victoria and Albert Museum, London, from the Gulland Bequest, is illustrated in W.B. Honey, Later Chinese Porcelain, London, 1927, pl. 7a; and a fourth example from the Sir Percival David Collection, now in the British Museum, London, is published in Margaret Medley, Illustrated Catalogue of Ming and Qing Monochrome Wares in the Percival David Foundation of Chinese Art, London, 1989, pl. 583. See also a celadon-glazed waterpot from the Diana D. Ashcroft Collection sold in our London rooms, 17th November 1999, lot 772, and twice in our Hong Kong rooms; first on 10th April 2006, lot 1607 and more recently, 5th April 2017, lot 1114. This elegant design of billowing clouds was also adapted for the doucai palette under the Yongzheng Emperor; for example, see a pair of waterpots illustrated in The Tsui Museum of Art, Hong Kong, 1991, pl. 112.
此類馬蹄尊，北京故宮博物院收藏一例，載於《故宮珍藏康雍乾瓷器圖錄》，香港，1989年，頁147，圖版130；台北國立故宮博物院亦收藏一例，載於《故宮清瓷圖錄－康熙窰‧雍正窰》，東京，1980年，圖版58；倫敦維多利亞與艾伯特博物館亦有一例，Gulland 遺贈，載於 W.B. Honey，《Later Chinese Porcelain》，倫敦，1927年，圖版7a，再比一例，出自大維德爵士故藏，現存於倫敦大英博物館，載於Margaret Medley，《Illustrated Catalogue of Ming and Qing Monochrome Wares in the Percival David Foundation of Chinese Art》，倫敦，1989年，圖版583。另比一青釉馬蹄尊，為Diana D. Ashcroft 收藏，售於倫敦蘇富比1999年11月17日，編號772，後兩次易手於香港蘇富比，2006年4月10日，編號1607及2017年4月5日，編號1114。相類卷雲紋飾亦見於雍正鬥彩瓷器，一對例圖載於展覽圖錄《徐氏藝術館》，香港，1991年，圖版112。