Property from a Private French Collection | Provenant d'une collection particulière française
André Lhote
André Lhote
Jugement de Pâris
Jugement de Pâris
Estimate:
30,000 - 50,000 EUR
Lot sold:
52,920
EUR
Property from a Private French Collection
André Lhote
1885 - 1962
Jugement de Pâris
signed A. LHOTE (upper left)
oil on canvas
50,4 x 73,4 cm; 19⅞ x 29 in.
Painted in 1927.
This work will be included in the forthcoming catalogue raisonné being prepared by Dominique Bermann Martin.
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Provenant d'une collection particulière française
André Lhote
1885 - 1962
Jugement de Pâris
signé A. LHOTE (en haut à gauche)
huile sur toile
50,4 x 73,4 cm; 19⅞ x 29 in.
Peint en 1927.
Cette œuvre sera incluse au catalogue raisonné actuellement en préparation par Dominique Bermann Martin.
It has not been possible to examine the work entirely unframed. The canvas is not lined. Examination under UV light reveals an area of retouching (approx. 5cm wide) towards the centre of the upper edge (located 3cm from the upper edge and 25cm from the right edge) and a small dot of retouching to the sailor's back (located 8cm from the right edge and 23cm from the lower edge). There is a tiny dot of paint loss to the upper right quadrant (located 3cm from the upper edge and 25cm from the right edge). There are webs of fine lines of craquelure scattered. There are two scuffs associated with paint losses to the upper part of the left edge (as visible in the catalogue illustration) and an additional scratch associated with tiny dots of paint losses to the lower left quadrant (located 15cm from the left edge and 8cm from the lower edge). There is some frame rubbing along the extreme edges. This work is in overall good condition.
Please note: Condition XVI of the Conditions of Business for Buyers (Online Only) is not applicable to this lot. (Veuillez noter que l’Article XVI des Conditions Générales de Vente applicables aux Acheteurs (Ventes Effectuées Exclusivement en Ligne) n’est pas applicable pour ce lot.)
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
Roudinesco, Paris
Petit Palais, Geneva
Oscar Ghez, Switzerland
Acquired from the above by the present owner in 1989
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Roudinesco, Paris
Petit Palais, Genève
Oscar Ghez, Suisse
Acquis après du précédent par le propriétaire actuel en 1989
François Fosca, "Le Salon des Tuileries", in L'Amour de l'art, May 1927, illustrated
Le Petit Provençal, May 21, 1927
Gustave Kahn, "On ne trouve point ses abus de verticales dans quelques nus, dans son étude de matelots qu'accueillent au débarqué des Circés négresses [...], in Le Mercure de France, July 15, 1927
M. Daret, "Le Jugement de Pâris du même est un morceau exquis de peinture et d'humour", in L'Avenir, July 21, 1927
Pierre Courthion, Panorama de la peinture française contemporaine, Paris, 1927
Roger Brielle, Lhote, in Les Albums d'art Druet, no. 32, Paris, 1931, illustrated pl. XVI
Henri Héraut, "André Lhote", in Sud Magazine méditerranéen, February 16, 1933, illustrated p. 8 (titled Départs)
Georges Peillex, "André Lhote cubista", in Arterama, no. 4, Milan, April 1983, illustrated p. 2
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François Fosca, "Le Salon des Tuileries", in L'Amour de l'art, mai 1927, reproduit
Le Petit Provençal, May 21, 1927
Gustave Kahn, "On ne trouve point ses abus de verticales dans quelques nus, dans son étude de matelots qu'accueillent au débarqué des Circés négresses [...], in Le Mercure de France, 15 juillet 1927
M. Daret, "Le Jugement de Pâris du même est un morceau exquis de peinture et d'humour", in L'Avenir, 21 juillet 1927
Pierre Courthion, Panorama de la peinture française contemporaine, Paris, 1927
Roger Brielle, Lhote, in Les Albums d'art Druet, no. 32, Paris, 1931, reproduit pl. XVI
Henri Héraut, "André Lhote", in Sud Magazine méditerranéen, 16 février 1933, reproduit p. 8 (sous le titre Départs)
Georges Peillex, "André Lhote cubista", in Arterama, no. 4, Milan, avril 1983, reproduit p. 2
Paris, Galerie Bernheim Jeune
Paris, Salon des Tuileries, 1927
London, Claridge Gallery, Exhibition of paintings & drawings by André Lhote and his pupils, 1927-28, no. 8
Paris, Salon de la Folle enchère, 1930
Paris, Société des Artistes peintres vivants, 1933
Paris, Musée des Arts décoratifs, Cinquante ans de peinture française dans les collections particulières, 1952, no. 89
Geneva, Petit Palais, André Lhote et les individualistes du cubisme, 1971, no. 26
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Paris, Galerie Bernheim Jeune
Paris, Salon des Tuileries, 1927
Londres, Claridge Gallery, Exhibition of paintings & drawings by André Lhote and his pupils, 1927-28, no. 8
Paris, Salon de la Folle enchère, 1930
Paris, Société des Artistes peintres vivants, 1933
Paris, Musée des Arts décoratifs, Cinquante ans de peinture française dans les collections particulières, 1952, no. 89
Genève, Petit Palais, André Lhote et les individualistes du cubisme, 1971, no. 26