View full screen - View 1 of Lot 87. PIERRE-AUGUSTE RENOIR | MARIA AU REPOS (GABRIELLE ASSISE).
87

PIERRE-AUGUSTE RENOIR | MARIA AU REPOS (GABRIELLE ASSISE)

PIERRE-AUGUSTE RENOIR | MARIA AU REPOS (GABRIELLE ASSISE)

PIERRE-AUGUSTE RENOIR | MARIA AU REPOS (GABRIELLE ASSISE)

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PIERRE-AUGUSTE RENOIR

(1841 - 1919)

MARIA AU REPOS (GABRIELLE ASSISE)


Signed Renoir. (upper left)

Oil on canvas

16¾ by 11⅜ in. (42.5 by 29 cm)

Framed: 25¾ by 20¼ in. (65.4 by 51.4 cm)

Painted circa 1905. 


This work will be included in the forthcoming Renoir Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.

The canvas is not lined. The edges of the canvas are covered with paper. There is some minor paint shrinkage in the black pigments in the figure's hair. Under Uv light, there are fine dashes of inpainting to the sitter's face, arms and shirt as well as some strokes of inpainting to the background principally around the figure. The work is in overall good condition. 


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Galerie Bernheim-Jeune, Paris

Maurice Gangnat, Paris (and sold: Hôtel Drouot, Paris, June 24-25, 1925, lot 95)

Henri Kapferer, Paris (acquired at the above sale)

Sam Salz, New York (acquired from the above by 1939)

Rebecca Shulman, Connecticut (acquired from the above on April 5, 1940)

Private Collection, United States (and sold: Sotheby's, New York, May 21, 1981, lot 528)

Private Collection, Europe (acquired at the above sale) 

Sale: Habsburg, Feldman S.A., Geneva, November 24, 1987, lot 38

Sale: Hôtel Drouot, Paris, March 25, 1994, lot 44 

Acquired at the above sale by the present owner

Guy-Patrice & Michel Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. IV, Paris, 2012, no. 3292, illustrated p. 362 

Paris, Galerie Paul Rosenberg, Dix dernières années de Renoir, 1934, no. 27

Los Angeles Museum, Los Angeles, The Development of Impressionism, January 12-February 28, 1940, no. 65 (titled Marie and dated circa 1896) 

Philadelphia, Philadelphia Museum of Art, Summer Loan Exhibition, 1972, n.n.

Kyoto Takashimaya, Kyoto, Renoir/Picasso/Laurencin, 1983, no. 19, illustrated in color in the catalogue (titled Gabrielle)

New York, Hammer Galleries, Renoir, Paintings from 1870-1914, 1984, n.n., illustrated in color in the catalogue

Hiroshima, Hiroshima Prefectural Art Museum & Tokyo, The Bunkamura Museum of Art, Monet and Renoir: Two Great Impressionist Trends, 2004, no. 76, illustrated in color in the catalogue