View full screen - View 1 of Lot 101. FREDERICK ARTHUR BRIDGMAN | THE WEAVER.






1847 - 1928


signed F. A. Bridgman / Alger lower left

oil on canvas

50 by 67cm., 19¾ by 26¼in.

Please note: Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot. 

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The canvas has been lined and is securely attached to a keyed wooden stretcher which is providing stable support.

The paint surface is even and stable. There is a pattern of hairline craquelure throughout which is only visible upon close inspection.

Inspection under ultra-violet light reveals some small, isolated spots of cosmetic retouching, including in the background in the upper left quadrant. Otherwise, this work appears to be in very good condition and is ready to hang.

Presented in a decorative gilt frame.

The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Private collection, USA (by 1992)

Mathaf Gallery, London

Purchased from the above 

Caroline Juler, Najd Collection of Orientalist Paintings, London, 1991, p. 27, catalogued & illustrated

Sydney, The Art Gallery of New South Wales; Auckland, Auckland Art Gallery, Orientalism: Delacroix to Klee, 1997-98, no. 68, illustrated in the catalogue (as The Embroiderer (La Brodeuse), after 1900)

In an Algiers interior, a girl in a diaphanous blouse and şalwar trousers pauses from her work weaving a rug or tablecloth and is momentarily lost in thought. Cigarette in hand, she slips off a babouchethe other having already been tossed aside. She is richly bejewelled with gold and silver bangles on both her wrists and ankles, and her hair is held in place by a headband and a circlet. Beside her, a tame gazelle looks on. The Ottoman-styled interior is richly decorated and filled with light, while shadows cast on the wall mirror the intricate patterns in the architecture.

Following his first trip to Cairo and Algeria in 1872, Bridgman turned almost exclusively to painting scenes of Egyptian and Algerian life. Putting up his family in the Hôtel de l'Orient in the Mustapha Supérieur quarter of Algiers, he used the services of a local guide, Belkassem, to gain access to private houses from which he would watch and paint daily life. Bridgman's experiences in Algeria and his prolific creative output led to the publication of a book, Winters in Algiers, illustrated with woodcuts modelled along the artist's drawings and paintings.