View full screen - View 1 of Lot 669. AN EXTRAORIDINARY AND RARE 'DAOIST IMMORTALS' HARDSTONE-INLAID PANEL, QING DYNASTY, QIANLONG PERIOD.
669

AN EXTRAORIDINARY AND RARE 'DAOIST IMMORTALS' HARDSTONE-INLAID PANEL, QING DYNASTY, QIANLONG PERIOD

Estimate:

150,000

to
- 250,000 USD

PROPERTY FROM THE WILLIAM BOYCE THOMPSON COLLECTION

AN EXTRAORIDINARY AND RARE 'DAOIST IMMORTALS' HARDSTONE-INLAID PANEL, QING DYNASTY, QIANLONG PERIOD

AN EXTRAORIDINARY AND RARE 'DAOIST IMMORTALS' HARDSTONE-INLAID PANEL, QING DYNASTY, QIANLONG PERIOD

Estimate:

150,000

to
- 250,000 USD

Lot sold:

126,000

USD

AN EXTRAORIDINARY AND RARE 'DAOIST IMMORTALS' HARDSTONE-INLAID PANEL

QING DYNASTY, QIANLONG PERIOD

清乾隆 銅鎏金鑲百寶瀛洲仙人圖屏


lavishly and colorfully inlaid with a variety of hardstones including, jade, jadeite, lapis lazuli, rose quartz, agate, malachite and amethyst, artfully arranged depicting a paradisiacal gathering of Daoist immortals, several standing atop a jagged mountain peak bearing silk-wrapped wire, jade and hardstone bouquets, another figure trekking up the hillside, and one navigating a gnarled wood raft through rolling waves towards the others, amidst rockwork studded with pine trees, numerous sprigs of lingzhi, darting and perching crane, and a grazing deer, all against a gilt-metal ground chased with densely scrolling clouds and enclosed within a narrow keyfret border of blue cloisonné enamel


Width 55 in., 139 cm

The panel with some losses, some consolidation and some replacements to the decoration. The gilt bronze panel with some lines that may be consolidated cracks but may also have been previously incorporated into the composition. Several stones with small drilled apertures to secure elements now missing. There is expected wear and chips and nicks along edges and extremities. Please note that this panel was not examined outside of the mounted table format.


圖屏見缺損、經加固,百寶鑲飾帶後配。鎏金銅板有縫隙,或為舊裂經加固,或為原有。部分百寶有細孔,原所固定之裝飾現已缺失。邊沿、邊角處有磨痕及小磕,屬正常。敬請注意,此屏未拆出檢視。


For more information on and additional videos for this lot, please contact Cindy.Qi@sothebys.com.



In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.


我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員,在此敦促您徵詢其他專業修復人員,以獲得更詳盡、專業之報告。


準買家應該檢查每件拍品以確認其狀況,蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論,但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

Collection of Lee Van Ching (circa 1869-1931).

American Art Association, New York, 14th February 1917, lot 217.

Collection of William Boyce Thompson (1869-1930), and thence by descent.


來源

李文卿 (約1869-1931) 收藏

美國藝術聯盟,1917年2月14日,編號217

William Boyce Thompson (1869-1930) 收藏,此後家族傳承

The lavish use of semi-precious stones on this panel exemplifies the opulence of the Qianlong Emperor's taste and the remarkable lapidary skills and materials available during his reign. While hardwood panels inlaid intermittently with hardstones are known, the density of the materials built up on this panel is particularly rare and striking. Layer upon layer of hardstones including lapis lazuli, jade, malachite and tourmaline and the construction of such a piece would have required the collaboration of a number of departments within the Imperial Palace Workshops. Each piece is carefully fashioned and perfectly fitted together to create a harmonious and otherworldly scene. An added sense of luxurious ethereality is created by the gilded background incised with scrolling clouds, which enhances the multiple hues of the hardstones.


Often made in pairs, wall panels adorned the numerous private halls built under the direction of the Qianlong Emperor. The pair to the present panel was sold alongside the present, amongst numerous other imperial items, from the collection of Lee Van Ching (Li Wenqing) at American Art Galleries, 14th February 1917, lot 216 (fig. 1). The present scene depicts the Eight Daoist Immortals on the Kunlun Mountains, the dwelling place of Xiwangmu and her orchard of 3,600 peach trees of immortality. Holding branches of flowers and lingzhi, the Immortals appear to be waiting with gifts to bestow upon Xiwangmu in celebration of her birthday. No other closely related panel appears to have been published which attests to the importance and distinction of the present.


Similarly sumptuously inlaid panels are known from the Qianlong period; however, these differ in style in that they generally attempt to recreate paintings or images in a naturalistic manner, as opposed to the abstracted style of the present. Perhaps the closest thematic and stylistic example is the pair of gilt-bronze inlaid luohan panels, from the collection of A.W. Bahr, which sold at American Art Association, 17th-19th January 1916, lot 500, and then remained in the collection of William Cobbett Skinner's family until being sold in these rooms, 11th September 2019, lot 667. Further lavish inlaid panels in the Palace Museum, Beijing, include one in the shape of a ruyi, depicting birds perched on flowering branches and a rectangular example illustrating a blossoming prunus tree, included in the exhibition The Emperor’s Private Paradise. Treasures from the Forbidden City, Peabody Essex Museum, Salem, 2010, cat. nos 25 and 22 respectively.