Important Chinese Art

Important Chinese Art

View full screen - View 1 of Lot 240. A JIZHOU RESIST-DECORATED 'PRUNUS' VASE, MEIPING, SOUTHERN SONG DYNASTY, 12TH/13TH CENTURY | 南宋 十二/十三世紀 吉州窰黑釉剔花折枝梅紋梅瓶.

PROPERTY FROM A GERMAN PRIVATE COLLECTION | 德國私人收藏

A JIZHOU RESIST-DECORATED 'PRUNUS' VASE, MEIPING, SOUTHERN SONG DYNASTY, 12TH/13TH CENTURY | 南宋 十二/十三世紀 吉州窰黑釉剔花折枝梅紋梅瓶

Auction Closed

November 4, 07:52 PM GMT

Estimate

30,000 - 50,000 GBP

Lot Details

Description

PROPERTY FROM A GERMAN PRIVATE COLLECTION

德國私人收藏

A JIZHOU RESIST-DECORATED 'PRUNUS' VASE, MEIPING

SOUTHERN SONG DYNASTY, 12TH/13TH CENTURY

南宋 十二/十三世紀 吉州窰黑釉剔花折枝梅紋梅瓶


of shouldered form rising to a short neck and rolled rim, decorated around the sides with two flowering prunus sprigs, the blooms executed in wax-resist technique with brown-painted detailing, the shoots swiftly carved through the thick dark brown glaze, extending to the foot, the footring unglazed showing the grey ware burnt slightly orange in the firing

Height 19.5 cm, 7¾ in.

Acquired from Capital Gallery, Hong Kong, in 1996.

於1996年購自香港長安美術

Kaikodo Journal, vol. XIX.

懷古堂Journal,vol. XIX

The Jizhou kilns in Jiangxi province were unique among Song manufactories in having invented a whole range of decorative techniques and motifs independent from contemporary ceramic workshops elsewhere and having thus developed their own distinct style. The present vase with its reserved prunus blossoms in the black glaze, highlighted with painted details, represents one of the most classic Jizhou designs. Similar vases discovered in Nanchang, Jiangxi province, and today in the Jiangxi Province Museum, are illustrated in Peng Minghan, ed., Yasu zhi jian Jizhou yao/Jizhou Kiln, Beijing, 2007, pls 23-25; one in the Palace Museum, Beijing, is published in Li Huibing, ed., Gugong Bowuyuan cang wenwu zhenpin quanji. Liang Song ciqi/The Complete Collection of Treasures of the Palace Museum: Porcelain of the Song Dynasty, Hong Kong, 1996, vol. 2, pl. 217; and one in the Victoria & Albert Museum, London, in Rose Kerr, Song Dynasty Ceramics, London, 2004, pl. 112 left.