View full screen - View 1 of Lot 406. EMMANUEL TARPIN | PAIR OF TSAVORITE GARNET EARRINGS, 'BEANSTALK'.
406

EMMANUEL TARPIN | PAIR OF TSAVORITE GARNET EARRINGS, 'BEANSTALK'

VAT applies to hammer price and buyer's premium

Estimate:

12,000 - 18,000 CHF

EMMANUEL TARPIN | PAIR OF TSAVORITE GARNET EARRINGS, 'BEANSTALK'

EMMANUEL TARPIN | PAIR OF TSAVORITE GARNET EARRINGS, 'BEANSTALK'

Estimate:

12,000 - 18,000 CHF

Lot sold:

23,750

CHF

EMMANUEL TARPIN

PAIR OF TSAVORITE GARNET EARRINGS, 'BEANSTALK'


Designed as asymmetrical bean stalks set with circular-cut tsavorite garnets, maker's mark for Emmanuel Tarpin.


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Maker's mark for Emmanuel Tarpin, stamped Au 750 for 18 carat gold. Tsavorite garnets of different hues, from light yellowish green to strong green. No evidence of wear to the metal. In excellent condition. Dimensions approximately 80 x 12mm and 70 x 18mm. Gross weight approximately 27 grams.


The lot is sold in the condition it is in at the time of sale. The online condition report is provided to assist you with assessing the condition of the lot and is for guidance purposes only. The images of the lot also form part of the online condition report for the lot provided by Sotheby's. Any reference to condition in the online condition report does not amount to a full description of condition. The online condition report may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the online condition report of the lot or shown in the online images of the lot. The online condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the online condition report is a statement of subjective, qualified opinion genuinely held by Sotheby's (for example, information regarding colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's). Please also note that we do not guarantee, and are not responsible for, any certificate from a gemological laboratory that may accompany the lot. In addition, certain images of the lot provided online may not accurately reflect the actual condition of the lot (for example, the online images may represent colours and shades which are different to the lot's actual colour and shades). For these reasons, the online condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Prospective buyers should also refer to the relevant section the Buying at Auction guide which includes important notices concerning the type of property in this sale. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE 

Emmanuel Tarpin has erupted onto the international jewellery scene with a quiet and humble air belying his youth and immense success. At just 28 years old, his resume is already distinguished beyond belief. After a technical background studying at the school of Haute École d’Art et de Design in Geneva, and three years spent in the the Parisian workshops of Van Cleef & Arpels, he launched his own brand in 2017 with a pair of geranium earrings, and has since gone on to tend to his garden of jewels for over three years. In Paris, the astute jeweller keeps a rooftop jardin where he is able to cultivate and study plants at his leisure, turning them into jewels from a desk overlooking the Eiffel Tower. His earrings have landed on the red carpet with mega stars like Rihanna and Mandy Moore. As a boy, he grew up with his family in Annecy, France, and constantly trekked the mountain trails through the French Alps, as well as keeping a vegetable patch glistening with dew that would later inspire diamonds and veins of emeralds. 


For this new Sotheby’s sale, Tarpin’s pair of “Beanstalk” earrings, made of vivid tsavorites, do wonders to evoke the vibrancy of new, green growth. They twist and squirm like tendrils of lush vegetal life-force, and fork through the earlobe with ease. Tarpin says that he was drawn to the graphic and round shapes of the beanstalk from his personal vegetable patch, and wanted the shape of the earring to be simple, which is often the most difficult to achieve when depicting a specific specimen of flora in jewellery. Tapin says, “There is always an idea of sensuality in my work,” and the curling of the sprig going through the ear is one of the simplest pieces he’s made to date, making them extremely easy to wear. He calls them a “fresh young stalk,” and even though they are made with extreme lightness in mind, they still allow for the twisting tsavorites to shine bright on the ear. 


Having gotten to know Tarpin over the last few years, I am always astounded to hear from him about his wealth of inspirations and influences. Andy Goldsworthy is a contemporary British sculptor and land artist who is known for creating subtle interventions with nature, using all found natural objects to create cascading pillars of rock, gradations of leaves, or intertwined branches that are site-specific and that comment on the passage of time. Tarpin himself has dabbled with these meditative practices, sending a braided chain of sticks and leaves floating out onto the surface of a lake, snaking back to shore. To my eye, the interconnected links of sticks piercing the leaves could easily become a necklace one day. Tarpin is a burgeoning talent with creativity itching for materialization at every juncture in his daily life. He sketches constantly, and hand-paints beautiful beetles, butterflies, corals, and sea life. The inspirational niche between the natural world and the contemporary art world is where his jewellery is comfortably nestled. 


Sotheby’s Geneva is delighted to present this pair of tsavorite earrings that are absolutely indicative of Tarpin’s work, blurring the line between hyper-realism and graphic abstraction. 


Levi Higgs


Jewellery and decorative arts historian based in New York City, and currently the archivist at David Webb.