View full screen - View 1 of Lot 2575. REN RENFA 1255-1328 任仁發 | FIVE DRUNKEN PRINCES RETURNING ON HORSEBACK 五王醉歸圖.
2575

REN RENFA 1255-1328 任仁發 | FIVE DRUNKEN PRINCES RETURNING ON HORSEBACK 五王醉歸圖

Estimate:

80,000,000

to
- 120,000,000 HKD

2574

2575

REN RENFA 1255-1328 任仁發 | FIVE DRUNKEN PRINCES RETURNING ON HORSEBACK 五王醉歸圖

REN RENFA 1255-1328 任仁發 | FIVE DRUNKEN PRINCES RETURNING ON HORSEBACK 五王醉歸圖

Estimate:

80,000,000

to
- 120,000,000 HKD

Lot sold:

306,551,000

HKD

REN RENFA 1255-1328

FIVE DRUNKEN PRINCES RETURNING ON HORSEBACK


ink and colour on paper, handscroll

with two seals of the artist

Colophon by Chen Jiru (1558-1639) and with two seals of his; by Wang Yongji (?-1653), dated renshen (1632)

with one collector's seal of Zhu Shangbin (1555-1623), eight collector's seals of Liang Qingbiao(1620-1691), five collector's seals of Geng Zhaozhong(1640-1686), eight seals of the Qianlong Emperor, including Shiqu baoji('The Precious Collection of the Stone Canal Pavilion'), one seal of Jiaqing Emperor, three seals of Xuantong Emperor, three collector's seals of Walter Hochstadter(1914-2007) and seven other collectors' seals

35.2 by 210.7 cm. 13⅞ by 83 in.


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任仁發

五王醉歸圖


設色紙本 手卷

鈐印:「任氏子明」、「月山道人」

題跋:

(陳繼儒)唐文皇石刻昭陵六馬,故子孫多馬癖,代宗有九花虯,德宗有神智驄、如意騮。飾以黃金勒,控以紫玉鞭,豢以一品料。故其圖流傳人間,歌詠不絕。此卷唐人筆,題跋剪截已去,幸人馬尚爾平安,無錫王麟郊先生世藏,其孫福州守曼修公能永護之,環回諦玩,姿態毛骨如生,所謂寫渥窪之狀,不在水中,移騕褭之形,出於天上。定為曹霸所作,即公麟輩未能與之絕塵而爭驅也。雲間陳繼儒題於頑仙廬。鈐印:「眉道人」、「陳繼儒印」

(王永吉)此卷予既請眉公先生題識,信其筆法之妙非近代丹青家所辨。獨云:出自唐人手,未有確據,考其楮尾印章二:一「任氏子明」,一「月山道人」。暇日偶閱李九疑紫桃軒雜綴,廼知為元人任水監也,按雜綴云:元任仁發,字子明,號月山,世居松之青龍鎮,年十八中鄊試貳,都水監開江置閘,凡水議,仁發主之。善繪事,嘗奉旨入內畫《渥窪天馬圖》。所著有水利書十卷。今人止稱任水監,畫馬蓋以藝掩云。然則任以畫馬得名甚著,而眉公未及詳核,因附記於此。崇禎壬申 (1632) 二月之七日,輞川館主人記。

鑑藏印:

(朱尚賓)「尚賓」(半印)

(梁清標)「蕉林玉立氏圖書」、「觀其大略」、「安定」、「蕉林秘玩」、「蒼岩」、「蒼岩子」、「棠邨審定」、「河北棠邨」

(耿昭忠)「耿昭忠信公氏一字在良別號長白山長收藏書畫印」、「信公鑒定珍藏」 (三鈐) 、「半古軒書畫印」

(乾隆皇帝)「乾隆御覽之寶」、「乾隆鑑賞」、「石渠寶笈」、「石渠定鑑」、「寶笈重編」、「三希堂精鑑璽」、「乾清宮鑒藏寶」、「宜子孫」

(嘉慶皇帝)「嘉慶御覽之寶」

(宣統皇帝)「宣統御覽之寶」、「宣統鑑賞」、「無逸齋精鑒璽」

(侯士泰)「侯士泰鑑藏」、「天目山人」、「尊古堂真賞」

「驚鴻閣」(半印)、「中立」(半印)、「立」(半印)、「忠信可久安」(半印)、「輙相思」(半印)、「可以觀」(半印)、「子孫」(半印)

35.2 x 210.7 厘米,13⅞x 83 英寸

Please notes that the credit line of a comparable image fig. 2 in the catalogue should read the Nelson-Atkins Museum of Art, Kansas City, Missouri. Purchase: William Rovkhill Nelson Trust, 72-8.

Previously in the collections of Wu Qiong, Wang Yongji, Liang Qingbiao, Geng Zhaozhong.

Qing Imperial Court Collection.

Collection of Henry Puyi (1906-1967), last emperor of China.

C.T. Loo (1880-1957).

Walter Hochstadter (1914-2007).

Christie's Hong Kong, Fine Classical Chinese Painting and Calligraphy, 29th November 2009, lot 815.


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吳瓊、王永吉、梁清標、耿昭忠舊藏

清宮舊藏

宣統帝溥儀賜溥傑

郝葆初、杜博思、盧芹齋、沃爾特侯士泰舊藏

香港佳士得,中國古代書畫,2009年11月29日,拍品編號815

1) Zhang Ning, "Wu Ruhui Ren Yueshan Gongzi Zuiguitu", see Zhang Ning, Fangzhouji, juan 6

2) Cheng Minzheng, "Ren Yueshan Wu Wang Zui Gui Tu", see Cheng Minzheng, Huangdun Wenji, juan 82

3) Chen Jiru, "Ba Tangren Ma Juan", see Chen Mengpeng and Wu Zhenyuan edit, Chen Meigong Xiansheng Quanji, juan 50

4) Sun Yueban, Wang Yuanqi, Peiwenzhai Shuhuapu, juan 65, "Tangren Majuan"

5) Shiqu baoji xubian ('Sequel to The Precious Collection of the Stone Canal Pavilion'), Stored in Qianqinggong, (the Palace of Celestial Purity), no. 6.

6) Ruan Yuan, Shiqu Shubi, juan 4, pp.2-3

7) Shang Pu Jie shuhua mu ('Treasures Bestowed to Pu Jie'), p.13.

8) Chen Rentao, et al., Gugong yi shi shuhua mu jiaozhu ('Notes on Paintings and Calligraphy Lost from the Forbidden City'), Hong Kong, 1956, p. 3.

9) Sherman E. Lee and Wai-Kam Ho, "Jen Jen-Fa: Three Horses and Four Grooms" in The Bulletin of the Cleveland Museum of Art, 1961, p.72, note 4.

10) James Cahill, An Index of Early Chinese Painters and Paintings: Tang, Song and Yuan, Los Angeles, University of California Press, 1980, p.287.

11) Xu Bangda, "Liutan Gushuhua Jianbie (Six Discussions on the identification of Ancient Calligraphy and Painting)", see Palace Museum Journal, 1981, issue 03, p. 73

12) Yang Renkai, Guobao chenfu lu : Gugong sanyi shuhua jianwen kaolue ('Record of the Vicissitudes of National Treasures: Investigation of the Dispersed and Lost Calligraphies and Paintings from the Former Palace that I have seen and Heard about'), Beijing, 1992, p. 551.

13) Xu Bangda, Chongding Qing Gugong Jiucang Shuhua Lu, Beijing, 1997, p. 66

14) Xu Bangda, Gushuhua Guoyan Yaolu: Yuan Ming Qing Paintings, 2006, p.101

15) Liu Jinku, Nanhua Beidu: Qingdai Shuhua Jiancang Zhongxin Yanjiu, 2008, p.293, no. 427


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著錄:

(一) 張寧,〈吳汝輝任月山公子醉歸圖〉,見張寧撰《方洲集》,卷六

(二) 程敏政,〈任月山五王醉歸圖〉,見程敏政撰,《篁墩文集》,卷八十二

(三) 陳繼儒,〈跋唐人馬卷〉,見陳夢蓬及吳震元輯刻,《陳眉公先生全集》,卷五十

(四) 孫岳頒、王原祁等,《佩文齋書畫譜》,卷六十五,〈唐人馬卷〉

(五)《石渠寶笈續篇》,第六,乾清宮藏六,列朝名人書畫二,〈任仁發五王醉歸圖〉,見《秘殿珠林石渠寶笈合編》第3卷,北京,2004,頁349-350

(六) 阮元撰,《石渠隨筆》,卷四,頁二至三

(七)《賞溥傑書畫目》,頁13,見國立北平故宮博物院印行,《故宮已佚書籍書畫目錄四種》,1934

(八) 陳仁濤等校注,《故宮已佚書畫目校注》,香港,1956,頁3

(九) 李雪曼、何惠鑒,〈任仁發:三馬四士〉,載於《克裡夫蘭藝術館通報》,1961年,頁71,注4

(十) 高居翰,《唐宋元:中國早期書畫目錄》,加州大學出版社,1980,頁287

(十一) 徐邦達,〈六談古書畫鑒別〉,載於《故宮博物院院刊》,1981,03期,頁73

(十二) 楊仁愷著,《國寶沉浮錄—故宮散佚書畫見聞考略》,北京,1992,頁551

(十三) 徐邦達編,《重訂清故宮舊藏書畫錄》,北京,1997,頁66

(十四) 徐邦達,《徐邦達集(九):古書畫過眼要錄•元明清繪畫》,北京,2006,頁101

(十五) 劉金庫著,《南畫北渡:清代書畫鑒藏中心研究》,(附錄:棠村藏品散佚存目),河北,2008,頁293,編號427