View full screen - View 1 of Lot 3060. WU GUANZHONG 吳冠中 | SOUL OF THE PINE 松魂.
3060

WU GUANZHONG 吳冠中 | SOUL OF THE PINE 松魂

Estimate:

4,000,000

to
- 6,000,000 HKD

WU GUANZHONG 吳冠中 | SOUL OF THE PINE 松魂

WU GUANZHONG 吳冠中 | SOUL OF THE PINE 松魂

Estimate:

4,000,000

to
- 6,000,000 HKD

WU GUANZHONG 

SOUL OF THE PINE


ink and colour on paper, framed

signed, with two seals of the artist

66 x 130.8 cm 26 x 51½ in.


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吳冠中 (1919-2010)

松魂


設色紙本 鏡框


款識:吳冠中。


鈐印:「吳冠中印」、「八十年代」。

Generally in good condition. For detailed condition photos and further inquiries, please contact us at charlie.shen@sothebys.com


如需作品實景照片,或欲查詢作品資料,請電郵至charlie.shen@sothebys.com

-整體品相良好。


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."


我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員,在此敦促您向其他專業修復人員索取諮詢,以獲得更詳盡、專業之報告。


準買家應該檢查每款拍品以確認其狀況,蘇富比所作的任何陳述均為專業主觀看法而非事實陳述。準買家應參考有關該拍賣的重要通知(見圖錄)。


雖然本狀況報告或有針對某拍品之討論,但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

Acquired at Asia Art Center, Taipei in 1989


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來源:一九八九年得於臺北亞洲藝術中心

「隱約間,五大夫松卻突然憤然向我撲來……二千年不散的松魂是什麼呢?如何從形象上體現出來呢?風裡成長風裡老,是倔強和鬥爭鑄造了屈曲虯龍的身段。我想捕捉松魂,試著用粗獷的墨線表現鬥爭和虯曲,運動不停的線緊追著奮飛猛撞的魂。峭壁無情,層層下垂,其灰色的寧靜的直線結構襯託了墨線的曲折奔騰,它們相撞,相咬,搏鬥中激起了滿山彩點斑斑,那是洪荒時代所遺留的彩點?以上是我從嚮往五大夫松,寫生三松,幾番再創作,最後作出了〈松魂〉的經過,其間大約五年的光陰流逝了。」

─吳冠中


註:據〈史記〉所載,泰始皇登泰山封禪,期間遇暴雨,避於松下,遂賜該樹五大夫之爵位。歷經千年,古松早不復存,至清雍正年,欽差丁皂保奉旨修泰山時,方補植五松,屹立至現世。


一九八○年,吳冠中慕五大夫松之名,赴山東泰山寫生,見松只剩三棵,略欠想像中之氣慨。雖感失望,仍決意取之入畫,當場寫生,綜合不同角度之景而畫出五棵老松,湊成「五大夫」。此後,多番據稿重寫,終悟「松」之靈魂神髓。


本幅見前景松枝形體簡練,或屈曲拗纏,或蜿蜒伸展,線條粗獷勁健,筆墨恣放淋漓。畫家又以淺灰線條輕輕勾劃山體輪廓,枝幹間見遠峰巍聳,兩者一虛一實,一淡一濃,一輕一重,恰形強烈之視覺對比,配合滿佈山體之繽紛色點,益見松舞之韻律動態。