View full screen - View 1 of Lot 129. Miss Alice Watson, the Artist's Sister.
129

George Spencer Watson, R.A., R.O.I.

Miss Alice Watson, the Artist's Sister

Estimate:

10,000

to
- 15,000 GBP

Sold for the Benefit of Guts UK Charity, Funding Research into Diseases of the Gut, Liver and Pancreas

George Spencer Watson, R.A., R.O.I.

George Spencer Watson, R.A., R.O.I.

Miss Alice Watson, the Artist's Sister

Miss Alice Watson, the Artist's Sister

Estimate:

10,000

to
- 15,000 GBP

Lot sold:

25,200

GBP

Sold for the Benefit of Guts UK Charity, Funding Research into Diseases of the Gut, Liver and Pancreas

George Spencer Watson, R.A., R.O.I.

British

1869 - 1933

Miss Alice Watson, the Artist's Sister


bears an inscription Portrait of Miss Alice Watson/ by her brother G. S. Watson/ painted & exh at RA 1894 on the remnants of a label attached to the reverse

oil on canvas

Unframed: 79 by 102cm., 31 by 40in.

Framed: 97 by 120cm., 38 by 47in.

The picture is unlined and the original canvas is providing a stable structural support. The canvas is a little slack and may benefit from being re-stretched. There is horizontal cracking caused by the upper stretcherbar and a fine craquelure pattern, noticeable above the sitter's shoulder. The paint surface is a little dirty and would benefit from a light clean.


UNDER ULTRAVIOLET LIGHT

There are localised retouchings to the horizontal cracking noted above and minor flecked retouchings in the background.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Given by the artist to his sister and thence by descent until 2020 when donated to the charity
London, Royal Academy, 1896, no.215
London, Whitechapel Fine Art Exhibition

Alice Spencer Watson would have been in her twenties when her brother George painted this beautiful portrait of her in 1894. The Spencer Watson family lived in London and were moderately wealthy - her father William Watson was a surgeon. One of her brothers, Burton, became a tea-planter in Assam and another brother, Oliver Cyril, was awarded a posthumous Victoria Cross. Alice’s older sister Florence married a baronet in the village of Wargrave-on-Thames and their other sister Amy became an Anglican nun. According to a story in the Spencer Watson family, Alice, as the last of the siblings to remain at home was expected to stay to keep her widowed father company. However she had other ideas and employed an attractive woman to be housekeeper for the old gentleman, with whom he fell in love and married. This plan freed Alice to live with her sister Florence in Wargrave, where she met and married the local doctor John McCrea,in 1907. This portrait of the young Alice, painted as a sign of affection by her brother, hung in the sitting-room of her home in Wargrave. She had always loved beautiful objects and clothes and her brother painted her dressed in a fashionable gown, leafing through watercolours and sketches to suggest her taste and refinement. 


George Spencer Watson was one of the leading portrait painters of the Edwardian period and after. His portraiture has a glamorous and elegant quality, which was both modern and reminiscent of Renaissance precedents. His A Lady in Black of 1922 and Hilda and Maggie, a beautiful portrait of his wife and dog painted in 1911, are now at Tate, whilst other fine examples of his work can be found in the public collections of Bournemouth, Liverpool, Wolverhampton, Preston, Plymouth and in the National Gallery of Canada.