View full screen - View 1 of Lot 19. SALVADOR DALÍ | PLUIE DU PRINTEMPS, PROJET POUR UN TISSU IMPRIMÉ DE LA COLLECTION STIMULUS POUR SCHIFFER PRINTS DIVISION DE MIL-ART COMPANY.
19

SALVADOR DALÍ | PLUIE DU PRINTEMPS, PROJET POUR UN TISSU IMPRIMÉ DE LA COLLECTION STIMULUS POUR SCHIFFER PRINTS DIVISION DE MIL-ART COMPANY

Artist's Resale Right

Estimate:

50,000

to
- 70,000 GBP

SALVADOR DALÍ | PLUIE DU PRINTEMPS, PROJET POUR UN TISSU IMPRIMÉ DE LA COLLECTION STIMULUS POUR SCHIFFER PRINTS DIVISION DE MIL-ART COMPANY

SALVADOR DALÍ | PLUIE DU PRINTEMPS, PROJET POUR UN TISSU IMPRIMÉ DE LA COLLECTION STIMULUS POUR SCHIFFER PRINTS DIVISION DE MIL-ART COMPANY

Estimate:

50,000

to
- 70,000 GBP

Property from an Important Private European Collection

SALVADOR DALÍ

1904 - 1989

PLUIE DU PRINTEMPS, PROJET POUR UN TISSU IMPRIMÉ DE LA COLLECTION STIMULUS POUR SCHIFFER PRINTS DIVISION DE MIL-ART COMPANY


signed Dalí and dated 1949 (lower right)

gouache, ink and pencil on card

71 by 64cm., 28 by 25⅛in.

Executed in 1949.


Nicolas and Olivier Descharnes have kindly confirmed the authenticity of this work.


Please note: Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot


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Executed on two sheets of cardboard and attached with a connective mount, this mount is in turn secured to the backing board in a number of places around its extreme edges. There is some craquelure to the thicker areas of gouache in places, mainly to the left hand side of the work. There is some occasional creasing to the board, predominantly in the corners of each board and along the lower edge of the work. There are some historic light surface tears to both boards. There are a few remnants of old adhesive on the cardboard in the upper right quadrant and there is some light surface dirt in places throughout. The work is in overall good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Gallery Art, Florida

Private Collection, Greece

Thence by descent to the present owner

Surreal Things, Surrealism & Design (exhibition catalogue), Victoria & Albert Museum, London, Museum Boijmans Van Beuningen, Rotterdam & Guggenheim Museum, Bilbao, 2007-8, no. 15-7, illustration in colour of the scarf p. 241

Established in 1945 by textile mogul Milton Schiffer, Schiffer Prints was a division of Mil-Art Company Inc., and a new initiative which sought to revitalise the company's fortunes after the war. The Stimulus Collection, produced in 1949 brought together eminent architects, designers and painters to create designs for printed fabrics, and later wallpapers. Selected because of 'his famed gifts of colour and craftsmanship', Salvador Dalí's hand is clearly evident in the design's unique vivid tones and geometric shapes. Consequently, his designs were met with great success, such that The New York Times on the 22nd June 1949 declared, 'Unquestionably it is the most brilliant single collection of all modern prints introduced since the war.'