FOLLOWER OF CAREL WAUTIER | A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT
 FOLLOWER OF CAREL WAUTIER | A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT
 FOLLOWER OF CAREL WAUTIER | A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT
 FOLLOWER OF CAREL WAUTIER | A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT
 FOLLOWER OF CAREL WAUTIER | A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT
 FOLLOWER OF CAREL WAUTIER | A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT
189

FOLLOWER OF CAREL WAUTIER | A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT

Estimate: 3,000 - 4,000 GBP

FOLLOWER OF CAREL WAUTIER | A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT

Estimate: 3,000 - 4,000 GBP

Description

FOLLOWER OF CAREL WAUTIER

A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT


oil on canvas

unframed: 79.1 x 61.9 cm.; 31¼ x 24⅜ in.

framed: 97 x 79 cm.; 38¼ x 31⅛ in.


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Condition Report

The canvas is lined, and the paint surface is clean with a clear varnish. There is a very slight degree of wear in the darker pigments of the background and on his jacket. Inspection under ultraviolet light reveals an opaque streaky varnish, underneath which there is a network of craquelure which comprises fine lines in the background and along the margins. There is retouching along a repaired horizontal damage on the left side of his red cravat, approx. 3.5 cm. long. Retouching is also visible in a further repaired damage below this in the white of his cravat, approx 1 x 2 cm., and to two further small spots to the right of this. There are a handful of more concentrated retouchings in his shoulder on the right, as well as to the right side of his hair and on his left temple approx. 0.5 cm. long. His face appears to be better preserved, with only very fine lines of scattered retouching. None of these impede the legibility of the image, which appears fresh and ready to hang.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Provenance

Private collection, Sweden;

Anonymous sale, Stockholm, Bukowskis, 7 June 2018, lot 480 (as Circle of Nicolas de Largillière).

Catalogue Note

Carel Wautier was a Flemish Baroque painter who settled in Brussels from around 1643 with his sister Michaelina, also a highly-regarded artist in her own right. This portrait, thought to be by a follower of Carel, depicts a gentleman of evident status. The sitter dons a fur-trimmed overcoat, in addition to an embroidered white cravat.

 FOLLOWER OF CAREL WAUTIER | A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT
FOLLOWER OF CAREL WAUTIER | A PORTRAIT OF A GENTLEMAN, BUST-LENGTH, WITH A WHITE CRAVAT
Lot Closed