View full screen - View 1 of Lot 92. AN EMPIRE STYLE GILT-BRONZE SURTOUT DE TABLE, IN THE MANNER OF PIERRE-PHILIPPE THOMIRE.

AN EMPIRE STYLE GILT-BRONZE SURTOUT DE TABLE, IN THE MANNER OF PIERRE-PHILIPPE THOMIRE

Lot Closed

August 12, 01:32 PM GMT

Estimate

12,000 - 18,000 GBP

Lot Details

Description

AN EMPIRE STYLE GILT-BRONZE SURTOUT DE TABLE, IN THE MANNER OF PIERRE-PHILIPPE THOMIRE


in seven sections, each section with a mirrored base, a pierced gilt-bronze gallery depicting swans, scrolls, bouquets of flowers and fruits

14cm. high, 415cm. wide, 87cm. deep; 5½in., 13ft. 7½in., 2ft. 10¼in.


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This impressive surtout de table, suitably cast with bacchic ornament of grapes and trailing vine, serves as an elegant addition to a dining-room and takes after the oeuvre of the celebrated ciseleur-doreur Pierre-Philippe Thomire (1751-1843).


Surtouts de table began to appear towards the end of the 17th century under the reign of Louis XIV. It was however during the 18th century and early 19th century that they became a fundamental, almost architectural, decorative element on royal and aristocratic tables. Surtouts de table which commonly comprised a plateau as well as centrepieces, tazze and vases were part of a visual language promoting the arts, skilled craftsmanship and overall splendor of France. Since the individual elements of the surtout served to display spices or other types of condiments that were needed throughout the meal, the surtout stayed in the centre of a table during the whole length of the meal. 


In the early 19th century, especially when the service à la russe came into fashion (when food was presented once course at a time and left the centre of the table bare of decoration), Thomire dominated the production of surtouts de table. His designs with an ornamentation often echoing the foods and drinks served on the table were highly fashionable and were a great source of inspiration for other craftsmen. The use of gilt-bronze and glass, culminated by the mirrored plateau, participated to reflect light and created a lavish dining experience. 


Interestingly, the pierced gallery of the present surtout relates to a drawing by Thomire depicting swans flanking vases with bouquets of flowers and fruits (Hans Ottomeyer and Peter Pröschel in Vergoldete Bronzen, p.388, fig. 5.16.15). A complete surtout de table by Thomire following this drawing is now in the collections of the Cooper Hewitt Museum, New York (acc. no. 1991-31-1-a/ww).


Similar examples were sold Christie's London, 15 March, 2012, lot 4 and another sold Sotheby's New York, 4 may 1991, lot 146.