View full screen - View 1 of Lot 36. TIM NOBLE AND SUE WEBSTER | FUCKING BEAUTIFUL (HOT PINK NEON).
36

TIM NOBLE AND SUE WEBSTER | FUCKING BEAUTIFUL (HOT PINK NEON)

Artist's Resale RightVAT standard rate

Estimate:

40,000 - 60,000 GBP

Property from an Important North American Collection

TIM NOBLE AND SUE WEBSTER | FUCKING BEAUTIFUL (HOT PINK NEON)

TIM NOBLE AND SUE WEBSTER | FUCKING BEAUTIFUL (HOT PINK NEON)

Estimate:

40,000 - 60,000 GBP

Lot sold:

106,250

GBP

Property from an Important North American Collection

TIM NOBLE AND SUE WEBSTER

b. 1966 & b. 1967

FUCKING BEAUTIFUL (HOT PINK NEON)


eight neon sections with transformers

168 by 148 by 6.5 cm. 66⅛ by 58⅜ by 2½ in.

Executed in 2000, this work is number 2 of 2 artist's proofs, aside from the edition of 5. 


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot. 


Please note the following work is located in New York City. The shipment of the work to the buyer, at the buyer’s expense, must be handled by Sotheby’s. Any questions, please refer to Jennifer Laster (jennifer.laster@sothebys.com).


To view shipping calculator, please click here

Please note the colours in the online catalogue illustration may vary depending on screen settings.

 

This work is in very good condition. There is a fine layer of dust to the surface of the work.

 

The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Please note the following work is located in New York City. The shipment of the work to the buyer, at the buyer’s expense, must be handled by Sotheby’s. Any questions, please refer to Jennifer Laster (jennifer.laster@sothebys.com).

Acquired directly from the artists by the present owner