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564

BAHRAM HAJOU | DEI ZWEI [THE TWO]

BAHRAM HAJOU | DEI ZWEI [THE TWO]

BAHRAM HAJOU | DEI ZWEI [THE TWO]

BAHRAM HAJOU

b. 1952

DEI ZWEI [THE TWO]


signed and dated '98; titled and dated 1998/1993 on the reverse

mixed media on canvas

55⅜ by 47 in. (140.7 by 119.4 cm.)


This work is in very good condition overall. There are a few stable hairline cracks to the knee in the upper left quadrant, visible upon close inspection. There are a few pinpoint losses to the pigment to the black passages in the upper left corner, visible upon close inspection. Under ultraviolet light, there is no evidence of restoration. Unframed.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Naima Najd Collection

Private Collection, New York

Bochum, Kunsthaus Pinx, 1994

New York, Galerie Artopia, 1995

"It's the worldview of a humanity that is fragile, disoriented and tormented that is translated by the painting of Bahram Hajou, a Syrian artist of Kurdish descent living in Germany. The worldview of a humanity prey to its own demons, and at the same time free from the forces that it does not control, and which renders it vulnerable at every moment. It's the worldview of a threatened humanity."


("Bahram Hajou: L'humanité en miroir, Miroir de l'art, no. 80, p. 18)