View full screen - View 1 of Lot 27. PIERO DORAZIO |  BONAFIDE.
27

PIERO DORAZIO | BONAFIDE

Artist's Resale Right

Estimate:

80,000 to - 120,000 EUR

PIERO DORAZIO | BONAFIDE

PIERO DORAZIO | BONAFIDE

Estimate:

80,000 to - 120,000 EUR

Lot sold:

150,000

EUR

PIERO DORAZIO

1927 - 2005

BONAFIDE


signed, titled and dated 1961 on the reverse

oil on canvas

This work is registered in the Archivio Piero Dorazio, Milan, and it is accompanied by a certificate issued by Archivio Piero Dorazio, Milan.


(firmato, intitolato e datato 1961 sul retro

olio su tela

Opera registrata presso l'Archivio Piero Dorazio, Milano, ed accompagnata da certificato rilasciato dall'Archivio Piero Dorazio, Milano.)


cm 73x54,5; inches 28.7 by 21.5


Framed (con cornice): cm 76,6x57,7x4,2; inches 30.15 by 22.71 by 1.65


To view shipping calculator, please click here

This work is in very good condition. There are a few scattered pin-pointed traces of organic dirt visible only under close inspection. (L'OPERA E' IN CONDIZIONI CONSERVATIVE MOLTO BUONE. VI SONO ALCUNE PUNTIFORMI TRACCE DI SPORCO ORGANICO SPARSE VISIBILI SOLO A UNA OSSERVAZIONE MOLTO RAVVICINATA).


Please note: Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot (Si prega di notare che l'articolo 11 delle Condizioni Generali di Vendita (Online Only) non è applicabile per questo lotto)


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

The Artist

Private Collection, Rome (Acquired directly from the above by the present owner - Ivi acquistato direttamente dall'attuale proprietario)

Marisa Volpi Orlandi, Jacques Lassaigne and Giorgio Crisafri, Dorazio, Venice 1977, n. 487, illustrated (detail - particolare)

Florence, Galleria Quadrante, Piero Dorazio, 1962

Milan, Galleria dell’Ariete, Piero Dorazio, 1962

"Dorazio leaves the edge of the painting uncovered so that we can see the times and ways in which he has intervened on the canvas. We understand how that dense network of layers is born. On the one hand tending towards the monochrome with the insistence on a dominant colour and the use of overlapping layers that are still wet and mixing with one another […] On the other, tending to build themselves into a fabric with regular hives, whose brightness allows dark backgrounds to shine through, and vice versa."

Marisa Volpi Orlandi, Jacques Lassaigne and Giorgio Crisafri, Dorazio, Venice 1977, p. 9


“Dorazio lascia il margine del quadro scoperto perchè vi si possano scorgere i tempi e i modi dei suoi interventi sulla tela: si capisce come nasce quella fitta rete di stratificazioni, ora tendenti al monocromo con l’insistenza su un colore dominante e l’uso di sovrapposizioni di stesure ancora umide e mescolantesi […] ora tendenti a costruirsi in un tessuto ad arnie regolari, la cui luminosità lascia traspirare fondi oscuri, o viceversa.”