HENRY TAYLOR | SEE ALICE JUMP

Blum & Poe, Los Angeles

Private Collection (acquired from the above)

Christie’s, New York, 11 May 2016, Lot 507 

Acquired at the above sale by the present owner

Anne Ellegood et. al., Made in L.A., Munich 2012, p. 275, illustrated in colour 

Zadie Smith, ‘Henry Taylor’s Promiscuous Painting’, The New Yorker, July 2018, illustrated in colour (online)

Zadie Smith, et al., Henry Taylor: The Only Portrait I Ever Painted of My Momma Was Stolen, New York 2018, pp. 24-25, illustrated in colour 

Albert Mobilio, 'Henry Taylor: The Only Portrait I Ever Painted of My Momma Was Stolen', Bookforum, Vol 25, Issue 4, December 2018 - January 2019, p. 44, illustrated in colour

Connie H. Choi, Black Refractions: Highlights from The Studio Museum in Harlem, New York 2019, p. 186, illustrated in colour 

Jeffrey Deitch, Unrealism: New Figurative Painting, New York 2019, p. 91, illustrated in colour