View full screen - View 1 of Lot 32. JOSEF ALBERS | VARIANT/ADOBE.



80,000 - 120,000 USD




80,000 - 120,000 USD

Lot sold:




1888 - 1976


signed with the artist’s monogram and dated 47

oil on blotting paper

sheet: 17⅜ by 24⅛ in. 44.1 by 61.3 cm.

framed: 25 by 29 in. 63.5 by 73.7 cm.

This work will be included in the Catalogue Raisonné of Paintings by Josef Albers currently being prepared by the Josef and Anni Albers Foundation, and is registered under 1947.2.14.

This work is in good condition overall. There is evidence of wear and handling along the edges, including soft creases most noticeable at the corners including a resultant loss to the upper right corner, and skinning to the edges likely from a previous mat. The edges of the sheet have discolored slightly with age. Under close inspection, minor surface irregularities and unobtrusive, stray pinpoint white accretions are visible throughout, likely inherent to the artist’s working method. Also under close inspection, a 1-inch diagonal white rub is visible in the lower center of the ochre band and a brown diagonal pinpoint scratch is visible in the upper left corner. Under extreme raking light, pinpoint networks of stable drying cracks in the ochre passage are visible. The sheet is hinged verso to the mat intermittently along the edges. Please note, this work has not been examined under Ultraviolet light inspection. Framed under Plexiglas.

The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Collection of Francisco Rodriguez, Mexico City (acquired directly from the artist in 1947)

Private Collection, Mexico City (acquired from the above circa 1950)

Thence by descent to the present owner