JIM HODGES | STUDY FOR #9
STUDY FOR #9
signed, titled and dated on the reverse
scratched and incised Inkjet print
sheet: 19 by 13 in. 48.3 by 33 cm.
framed: 25¼ by 19 in. 64.1 by 48.3 cm.
Executed in 2011.
This work is in very good condition overall. The print it hinged verso to the mat, and there is a very slight undulation throughout. Framed under Plexiglas.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
The Watermill Center, New York
Private Collection, Florida (acquired from the above in 2012)
Bill Hood & Sons, Delray Beach, 6 August 2019, Lot 40
Acquired from the above sale by the present owner